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	I always thought of the zombies as being about revolution, one generation consuming the next.   
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	I like guys who are understandable and good guys who are flawed.   
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	I'm basically a fairly traditional filmmaker.   
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	Somehow I've been able to keep standing and stay in my little corner and do my little stuff and I'm not particularly affected by trends or I'm not dying to make a 3D movie or anything like that. I'm just sort of happy to still be around.   
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	Neighbors are frightening enough when they're alive.   
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	Collaborate, don't dictate.   
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	I sit around listening to classical music. I don't play video games. I love to go to dinner, go on picnics, travel.   
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	When I was old enough to go to movies alone, I got to see 'Frankenstein' and 'Dracula' on the big screen. I just fell in love with them.   
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	People say you're trapped in this genre. You're a horror guy. I say wait a minute - I'm able to say exactly what I think. I'm able to talk about, comment about, take snapshots of what's going on at the time. I don't feel trapped. I feel like this is my way of being able to express myself.   
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	Some directors work from day to day. I work from moment to moment.   
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	Zombies are my ticket to ride! It's how I get a deal! I don't care what they are. I don't care where they came from.   
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	I'll never get sick of zombies. I just get sick of producers.   
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	The zombie was just an intriguing character; it is a sympathetic character.   
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	I've only actually done one studio film. I want to be left alone.   
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	The main thing people took from 'Night of the Living Dead' was that it was a racial statement movie, and that was completely unintended.   
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	If I go to a movie and it's particularly violent, and people are leaving the theatre ready to vomit, we're sitting there with our popcorn just chuckling.   
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	I love a couple of Fulci things. I just had a gas watching them. It's not what I would do, but I loved watching them. They were fun.   
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	I do think of my films as morality plays, even though my reputation is, you know, splatter films and like that. But I think of them as very moral.   
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	I grew up in New York City. And I lived in the Bronx in a place called Parkchester.   
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	I've seen so many young filmmakers - even professional filmmakers who get a Hollywood deal - they don't quite know where to begin, where to end, and they'll waste a lot of time making this perfect shot, an establishing shot, and then there's no time left to shoot the dialogue.   
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	I thought Godzilla was a mess, the monster had no character and the humans didn't either. They forgot to make the movie that went along with all these wonderful effects.   
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	Nothing's ever real until it's real.   
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	I go to these horror conventions all the time, and these audiences get so deep into it. They've pulled apart every movie fifty ways from Sunday.   
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	'Martin' is my favorite film of mine and 'Knightriders' a close second.   
