George A. Romero Quotes
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I'm a Turner Classic Movies guy. That's it. I'd much rather sit here and watch an oldie than anything new.
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I grew up on DC Comics, moral tales where the bad guys got their comeuppance. To me the gory panels or grotesque stuff just made me chuckle.
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I won't say I'm uncompromising, but I won't compromise just for the hell of it.
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When we made 'Night of the Living Dead,' we got riddled. There was this famous article Roger Ebert wrote just blasting the film because he had gone to see it at some screening where there were all these kids in the audience. I don't know why that happened. We didn't make the movie for kids.
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With 'Dawn,' I wanted the slick look; I wanted to bring out the nature of the shopping center, the retail displays, the mannequins. There are times when maybe you reflect that the mannequins are more attractive but less real - less sympathetic, even - than the zombies. Put those kinds of images side by side, and you raise all sorts of questions.
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I will never make a film where zombies are threatening to take over the planet.
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I always have CNN on. That's where I get my ideas.
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In the old days, there were three networks, and all of a sudden, Walter Cronkite is the most trusted man in America. Everybody believes what he says, not even thinking. In those days, we didn't even know it was being spun. We were very willing to just listen to it and go along with.
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With CG, I can do more and be sillier. In 'Diary,' there's a scene where they hit a guy with acid, and the camera is never off him, and you see it gradually eat through his skull and get all the way through his brain. That's fun, too.
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I have a very quiet life. There's nothing weird.
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If you look to the few films that have been really successful, 'Insidious,' 'Paranormal Activity,' it's all basically the old monsters.
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What the Internet's value is that you have access to information but you also have access to every lunatic that's out there that wants to throw up a blog.
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As great as Ed is, the wisdom out here is that he can't carry a movie. They'll pay him $3 million to be the second banana in Julia Roberts things. But they won't put up $3 million for an Ed Harris movie.
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I'm more alarmed by people reacting violently to the violence in my films than I am by the violence in films.
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Zombies cannot run.
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I think you're only free if you're working on very low or huge money.
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My film collection is all oldies.
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When you're shooting super-low-budget - we had 20 days to shoot 'Diary,' and a little over $2 - time is money.
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Is Michael Moore an honest documentarian? Honestly? I don't think he is... The real discussion gets left behind the entertainment value.
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Pittsburgh, for a while, became a production centre. There was one $400 million year. Hollywood was bringing productions in there. Films like 'The Silence of the Lambs' and 'Innocent Blood.' So my guys, the guys I worked with, were able to have careers and live at home. But then it dried up, and a lot of my friends left.
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The guy that made me wanna make movies... and this is off the wall-is a guy named Michael Pal, the British director.
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I've never had a zombie eat a brain! I don't know where that comes from. Who says zombies eat brains?
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The only advice you can give is, 'Don't let the bad stuff keep you down.'
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The grotesque has never really affected or frightened me. I guess it's real-life stuff that frightens me much more.