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I don't think you need to spend $40 million to be creepy. The best horror films are the ones that are much less endowed.
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The 'Dead' films allow me to talk about things that a drama, say, won't. 'Dawn Of The Dead,' which was set in a shopping mall, is on one level about consumerism; 'Land Of The Dead' is a response to Bush.
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'Martin' is my favorite film of mine and 'Knightriders' a close second.
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The very fact that you thought of it means that, somewhere in your mind, it's believable to you. All you have to do is convince your audience that it's possible.
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I expect a zombie to show up on 'Sesame Street' soon, teaching kids to count.
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My films, I've tried to put a message into them. It's not about the gore; it's not about the horror element that are in them. It's more about the message, for me. That's what it is, and I'm using this platform to be able to show my feelings of what I think.
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Horror films are the anchovies of the cinema. Either you like them, or you don't.
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There are so many factors when you think of your own films. You think of the people you worked on it with, and somehow forget the movie. You can't forgive the movie for a long time. It takes a few years to look at it with any objectivity and forgive its flaws.
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I saw 'Dracula,' 'Frankenstein,' 'The Wolf Man,' 'The Invisible Man.' I saw all those guys on the big screen at RKO in the Bronx. I just always loved that stuff. I loved other stuff, too. That's the thing. That wasn't all I wanted to be.
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I vote in the Academy, so I get all the screeners. I'm so often disappointed by all the material and especially by what wins. I find myself never voting for the winner.
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The two great things about computer CG stuff are I can now do gags I would never have dreamed of in the old day.
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After 'Land,' I wanted to do something about emerging media and citizen journalism, so I got this idea for 'Diary of the Dead.'
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Anybody who tunes into Rush Limabaugh already knows what he's going to say and is already inclined to agree. So it winds up creating tribes.