John Sexton Quotes
For me the printing process is part of the magic of photography. It's that magic that can be exciting, disappointing, rewarding and frustrating all in the same few moments in the darkroom.
Quotes to Explore
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It's an honor to be a part of Magic Shave as their new ambassador. One of the problems that some African-American men have with shaving is razor bumps. Magic Shave is perfect because once you eliminate the razor, you eliminate the bumps, and it's so easy to use.
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That's what happens nowadays with people working on computers. They can so easily fix things with their mouse and take out all the, 'Oh, somebody coughed in the background; we need to take that out' - or somebody hit a bad note. Those are all the best moments.
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I worked a little as a messenger on a bicycle and then decided to study photography and film.
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Music means different things to different people and sometimes even different things to the same person at different moments of his life.
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One of the reasons we all still read Jane Austen is because her books are about universal things which still matter today - love, money, family. They haven't gone out of fashion, so it's not throwing the baby out with the bathwater to rework her in a contemporary style.
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I never read about photography.
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From the stage, I can reach a large audience, and you learn from being on stage how much a song reaches, what extent of the crowd a song can reach. I write in a way that can reach most of the audience, but I also wanted to have truly intimate moments as well, many intimate moments, more so than the big moments.
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'Forrest Gump' is filled full of moments where your heart just cheers.
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I have both joyful and heartbreaking moments in life, even now. Stardom doesn't give us everything.
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I've had more ups than downs in my career. All you can do is keep working. You still have to take enjoyment out of what you're doing, and things will turn, and my smile has always been there. In good moments and bad.
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I was lucky enough to have an older brother who shared the splatter flicks with me, and I had parents who were cool and involved enough in my life to allow me to see them. I think my folks appreciated that I looked at these movies as a creative outlet... almost like magic shows, if you will.
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I'm not particularly interested in painting, per se. I'm interested in a painting that has that mysterious life to it. Anything that doesn't partake of that magic is halfway dead - it returns to its physical elements, it's just paint and canvas.
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There have been moments where I'm like, 'I don't know how I'm going to survive and pay next month's rent.' And the next month I'm filming a movie in New York City.
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I've always felt that my life's been at the right place at the right time; I feel like there's been some really dull moments, really high moments, really low moments, but it's always felt like everything's moved in the right direction; it always feels great, and everything feels right.
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I guess life offers you opportunities to live your dream. We just have to accept what comes our way and live those moments completely. You will not get back this time again, so live every moment you get.
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In the history of photography, we have many masterpieces in terms of black and white books. You have Bresson's 'Decisive Moment,' Frank's 'The Americans'... many masterpieces. But there is nothing to this caliber in color. Well, I think I'll waltz with my muse and hope that I might be able to produce something on this order in color.
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If there is something magic about the collaborations I have with actors it's because I put the character first.
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Magic symbolises the subconscious - that part of us that is creative and powerful that we sometimes don't tap into.
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I won't do advertising if they bring a layout and say, 'This is what we want to do,' because anybody can do that; it's not interesting. They've got digital and the computer; it's not taking pictures, it's not magic - it's a picture done by committee.
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In my photography, color and composition are inseparable. I see in color.
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I’m inclined to think,’ said Fen, ‘that neither opposing nor advocating change makes much difference to the sum total of human misery. History suggests that it stays constant in quantity, if not in kind. Science rids us of plague but endows us with the atom bomb. Humanitarianism rids us of sweated labour but offers us the horrors of political agitation in its place. There’s a choice of evils, but that’s all.
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I mean business about standing with President Trump to make America great again.
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For me the printing process is part of the magic of photography. It's that magic that can be exciting, disappointing, rewarding and frustrating all in the same few moments in the darkroom.
