Gaston Bachelard Quotes
We are never real historians, but always near poets, and our emotion is perhaps nothing but an expression of a poetry that was lost.
Quotes to Explore
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'Skins' is about a group of teenagers in Bristol, and it's all about what they get up to and all the different things they do. I think it's a good show because it's come from a very real place, and there's a lot of young people involved in the writing.
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If you love things or ideas or people that contradict each other, you have to be prepared to fight for every square inch of intellectual real estate you occupy.
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So I didn't have anything to do with picking the songs, but I got to musically take them in places I thought might be interesting, so it was a real neat collaboration among the three of us.
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I think movie and television companies are in the business of making money, and if you have a franchise, eventually you'll want to exploit that franchise and revisit it. So I assume at some point someone will do another story in the 'Lost' world.
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What we call real estate - the solid ground to build a house on - is the broad foundation on which nearly all the guilt of this world rests.
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Writers write for one reason: to create an emotion in the reader, to reach across and make them feel something. You want a reaction. Yeah, it's nicer when the reaction is to throw flowers than it is to throw brickbats, but you have to accept both equally.
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Real golf is the 20 million people who play once a week or once a month.
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A screenplay is really a blueprint for something that will be filmed. Therefore you must always keep in mind that whatever you write is going to be staged, for real.
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Love isn't an emotion or an instinct - it's an art.
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My family lived in Thousand Oaks. In 2002, when I was 17, I begged my parents to let me move out. I had money, a real job, and wanted to get my own place.
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I always say that people should not rush to change religions. There is real value in finding the spiritual resources you need in your home religion.
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I like the beauty of Faulkner's poetry. But I don't like his themes, not at all.
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If philosophy is practice, a demand to know the manner in which its history is to be studied is entailed: a theoretical attitude toward it becomes real only in the living appropriation of its contents from the texts.
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The group-effort sound in recording of 'Sea Lion' is like, you really hear all the people in the room and hear them interlocking. There's a real freight-train energy of all these people at the same time playing.
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There is no substitute for a real location when you're trying to shoot the jungle. You can't just go anywhere. You've got to go where it's lush and green and there really is those mountain ranges, the trees and the ocean.
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I'm a fan of books that are almost languorous in their storytelling. That is a little bit lost sometimes in the modern media that we have.
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When I'm away from the field, I show a little more emotion and stuff.
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Sex is emotion in motion.
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Poetry can be criticized only through poetry. A critique which itself is not a work of art, either in content as representation of the necessary impression in the process of creation, or through its beautiful form and in its liberal tone in the spirit of the old Roman satire, has no right of citizenship in the realm of art.
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I love working in America, I love being part of the industry out here.
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When Amazon emerged, people had these debates about whether people would put their credit cards online.
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When I started making my own records, I had this idea of drowning out the singer and putting the rest in the foreground. It was the background that interested me.
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I was born in a ghetto on the North Side of Pittsburgh. I was born as Emmett Till was dying and the civil rights era was being born.
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We are never real historians, but always near poets, and our emotion is perhaps nothing but an expression of a poetry that was lost.
