Gaston Bachelard Quotes
We are never real historians, but always near poets, and our emotion is perhaps nothing but an expression of a poetry that was lost.
Quotes to Explore
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'Skins' is about a group of teenagers in Bristol, and it's all about what they get up to and all the different things they do. I think it's a good show because it's come from a very real place, and there's a lot of young people involved in the writing.
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If you love things or ideas or people that contradict each other, you have to be prepared to fight for every square inch of intellectual real estate you occupy.
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So I didn't have anything to do with picking the songs, but I got to musically take them in places I thought might be interesting, so it was a real neat collaboration among the three of us.
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I think movie and television companies are in the business of making money, and if you have a franchise, eventually you'll want to exploit that franchise and revisit it. So I assume at some point someone will do another story in the 'Lost' world.
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What we call real estate - the solid ground to build a house on - is the broad foundation on which nearly all the guilt of this world rests.
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Writers write for one reason: to create an emotion in the reader, to reach across and make them feel something. You want a reaction. Yeah, it's nicer when the reaction is to throw flowers than it is to throw brickbats, but you have to accept both equally.
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Real golf is the 20 million people who play once a week or once a month.
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A screenplay is really a blueprint for something that will be filmed. Therefore you must always keep in mind that whatever you write is going to be staged, for real.
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Love isn't an emotion or an instinct - it's an art.
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My family lived in Thousand Oaks. In 2002, when I was 17, I begged my parents to let me move out. I had money, a real job, and wanted to get my own place.
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I always say that people should not rush to change religions. There is real value in finding the spiritual resources you need in your home religion.
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I like the beauty of Faulkner's poetry. But I don't like his themes, not at all.
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If philosophy is practice, a demand to know the manner in which its history is to be studied is entailed: a theoretical attitude toward it becomes real only in the living appropriation of its contents from the texts.
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The group-effort sound in recording of 'Sea Lion' is like, you really hear all the people in the room and hear them interlocking. There's a real freight-train energy of all these people at the same time playing.
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There is no substitute for a real location when you're trying to shoot the jungle. You can't just go anywhere. You've got to go where it's lush and green and there really is those mountain ranges, the trees and the ocean.
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I'm a fan of books that are almost languorous in their storytelling. That is a little bit lost sometimes in the modern media that we have.
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When I'm away from the field, I show a little more emotion and stuff.
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Sex is emotion in motion.
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Nothing guarantees that reasonable people will agree about everything, of course, but the unreasonable are certain to be divided by their dogmas. It is time we recognized that this spirit of mutual inquiry, which is the foundation of all real science, is the very antithesis of religious faith.
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Listen, real poetry doesn't say anything; it just ticks off the possibilities. Opens all doors. You can walk through anyone that suits you.
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If we are endowed by our Creator with rights, then why shouldn't those be attainable by gays and lesbians?
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It was January 1983 when we launched 'Frontline' on PBS with 'An Unauthorized History of the NFL.' The program was anchored by Jessica Savitch. We wanted to get attention, and we got it.
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What is a good performance? It lies in the hands and head of a performer... the shortest way between two people is not a straight line.
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We are never real historians, but always near poets, and our emotion is perhaps nothing but an expression of a poetry that was lost.
