Gaston Bachelard Quotes
We are never real historians, but always near poets, and our emotion is perhaps nothing but an expression of a poetry that was lost.
Quotes to Explore
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'Skins' is about a group of teenagers in Bristol, and it's all about what they get up to and all the different things they do. I think it's a good show because it's come from a very real place, and there's a lot of young people involved in the writing.
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If you love things or ideas or people that contradict each other, you have to be prepared to fight for every square inch of intellectual real estate you occupy.
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So I didn't have anything to do with picking the songs, but I got to musically take them in places I thought might be interesting, so it was a real neat collaboration among the three of us.
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I think movie and television companies are in the business of making money, and if you have a franchise, eventually you'll want to exploit that franchise and revisit it. So I assume at some point someone will do another story in the 'Lost' world.
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What we call real estate - the solid ground to build a house on - is the broad foundation on which nearly all the guilt of this world rests.
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Writers write for one reason: to create an emotion in the reader, to reach across and make them feel something. You want a reaction. Yeah, it's nicer when the reaction is to throw flowers than it is to throw brickbats, but you have to accept both equally.
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Real golf is the 20 million people who play once a week or once a month.
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A screenplay is really a blueprint for something that will be filmed. Therefore you must always keep in mind that whatever you write is going to be staged, for real.
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Love isn't an emotion or an instinct - it's an art.
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My family lived in Thousand Oaks. In 2002, when I was 17, I begged my parents to let me move out. I had money, a real job, and wanted to get my own place.
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I always say that people should not rush to change religions. There is real value in finding the spiritual resources you need in your home religion.
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I like the beauty of Faulkner's poetry. But I don't like his themes, not at all.
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If philosophy is practice, a demand to know the manner in which its history is to be studied is entailed: a theoretical attitude toward it becomes real only in the living appropriation of its contents from the texts.
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The group-effort sound in recording of 'Sea Lion' is like, you really hear all the people in the room and hear them interlocking. There's a real freight-train energy of all these people at the same time playing.
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There is no substitute for a real location when you're trying to shoot the jungle. You can't just go anywhere. You've got to go where it's lush and green and there really is those mountain ranges, the trees and the ocean.
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I covered the Vietnam War. I remember the lies that were told, the lives that were lost - and the shock when, twenty years after the war ended, former Defense Secretary Robert S. McNamara admitted he knew it was a mistake all along.
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I'm a fan of books that are almost languorous in their storytelling. That is a little bit lost sometimes in the modern media that we have.
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When I'm away from the field, I show a little more emotion and stuff.
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Sex is emotion in motion.
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The universe is indifferent to our fates. This was the crushing burden that the character took with him as he struggled through the surf toward survival or extinction. The universe just does not give a shit.
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Even though he's a third-generation San Franciscan, my father's very European in some ways, and he loves wine.
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I know a lot of CEOs who are looking for three- to four-year varsity athletes - not necessarily because these people are going to be doing pushups or spiking volleyballs in the workplace, but because they're looking for that continuity, that person who was gritty about something.
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We are never real historians, but always near poets, and our emotion is perhaps nothing but an expression of a poetry that was lost.
