Peter Mullan Quotes
I guess I'm part of the art house, but we really have to shake up our ideas, because we're kind of self-parodying ourselves. We go places commercial cinema doesn't go, but sometimes it's to our own detriment.
Quotes to Explore
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I don't feel proprietary, but I do feel there is a human identity to the borough of Hackney that's quite peculiar. It was always bloody-minded and difficult; it always stood up to central government.
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Music is my way out. I keep things locked up and never say anything. I guess in order to say something to one person, I have to sing it to a couple of thousand. It doesn't make for healthy relationships.
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I'm not a good rapper. For whatever reason, my brain does not work that way. I just do the beginning, like, 'Yeah, yeah! Ha ha! Woo! What up? Come on! Get at me!' I'm Captain Hook.
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I haven't always been confident. I actually suffered with low self-esteem growing up. Eventually, I got to a point where I was just like, 'OK, this is taking too much energy.' After that, I started accepting myself for who I was, and I was like, whoever is not going to accept it, they weren't really meant to be in my life in that way.
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I grew up in this town, my poetry was born between the hill and the river, it took its voice from the rain, and like the timber, it steeped itself in the forests.
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I grew up with all these old jazz guys in the '70s in L.A., and they grew up idolizing Charlie Parker, Charles Mingus, Lester Young - all of these incredible musicians.
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I'm not going to comment about potential jobs in the future because that's a rabbit hole to go down and get caught up in, but all I'll say is I'll go where the good scripts are.
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Congress must make it clear that common animal waste will not expose farmers to liability under Superfund, while ensuring continued action to clean up legitimate hazardous waste sites around the nation.
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I don't feel like I have to dress up to go to the deli.
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When I used to go to Elvis's house was always a nightmare trying to get into the house because of so many fans outside the gate and he really couldn't go anywhere without sneaking in or doing something because people just wanted to be around him and to be with him.
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I think something happens to us biologically when we have children where the worry sets in immediately. And I don't think that ever goes away. But you have to fight your instincts to build walls up around your children or to want to shelter and protect them from everything.
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I was a screenwriting and studio art major in college, so even though I don't have any training as a floral designer, I have a very particular visual aesthetic.
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I don't often do a lot of that kind of research, but when it's something specific like 'Oz' - which I fortunately did not have a lot of experience with - I will. I read 'The Hot House,' about being on the inside at Leavenworth prison.
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One small cat changes coming home to an empty house to coming home.
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I love to cook. I'd hoped by now I'd have a big loft. I have this fantasy that between 12 and 4, if you're in New York, it's known that I'll be serving a meal and you can just show up. You can watch TV, hang out, nap. Once a month. Wouldn't that be nice?
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What do we want our kids to do? Sweep up around Japanese computers?
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I grew up doing musical theatre in Orlando, Florida. When I was 14, I just happened to be in the right place at the right time - a deliveryman heard me singing and offered to deliver my demo tape to Sony Music. I was just really lucky.
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Religion and art spring from the same root and are close kin.
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As a young boy I won a few dollars in 1972 when Riva Ridge won the Kentucky Derby. I had overheard someone say he was going to win, and I guess that made an impression on me.
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I sailed a bit as a child, but it wasn't until I was around 40, when I was halfway through Patrick O'Brian's 'Master and Commander' novels, that I had the sudden epiphany that I had to go sail on a square-rig ship.
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A lot of my material was based on my family.
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What we do need to worry about is the possibility that we will be reduced, in the face of the enormities of our time, to silence or to mere protest.
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I guess I'm part of the art house, but we really have to shake up our ideas, because we're kind of self-parodying ourselves. We go places commercial cinema doesn't go, but sometimes it's to our own detriment.
