George Bernard Shaw Quotes
They tell me that So-and-So, who does not write prefaces, is no charlatan. Well, I am. I first caught the ear of the British public on a cart in Hyde Park, to the blaring of brass bands,and this . . . because . . . I am a natural-born mountebank.
Quotes to Explore
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In general, writers shouldn't be killed for what they write, though I can think of exceptions.
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I would never write a memoir, because it would be too boring.
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I just realized quite early on that I'm not going to be the type who can write a novel every two years. I think you need to feel an urgency about the act. Otherwise, when you read it, you feel no urgency, either. So I don't write unless I really feel I need to, and that's a luxury.
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I really tend to write in retrospect.
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When I write a movie, I write it for me.
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I like to have interesting things to write about. And when one says something is 'interesting,' one almost always means 'bad.'
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I understand the desire to write and read about the death of publishing. It's a perversely and universally appealing topic.
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In my case, I write in the past because I'm not really part of the present. I have nothing valid to say about anything current, though I have something to say about what existed then.
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If you love something - and there are things that I love - you do want more and more and more of it, but that's not the way to produce good work. So as an author, I need to write what I need to write.
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Every story I create, creates me. I write to create myself.
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Before I liked to write, I liked to type. I remember visiting my grandmother Adele in Ponce Inlet, Florida, when I was three years old, and she had an IBM electric typewriter.
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I write romance because I love to read romance.
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I never write about the road. I never write about hotels or anything like that.
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My grandmother died in childbirth, and my great-aunt lived with us. She had bound feet. She never knew how to read or write.
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I think I would like to write screenplays, books, really anything.
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People often write after they finish their career, or they don't play anymore, or they are not anymore active. So I say, why do that? And let's do it differently.
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Instead of writing songs for girls, I tend to write albums, which I guess is a bit weird.
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I write songs that are like diary entries. I have to do it in order to feel sane.
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I'd love to write for One Direction. I think they've done incredibly well.
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Write to one person, not a million.
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There's nothing worse than a director who feels more like a cop than a comrade, so I try to never give orders or create an environment where it's 'my way or the highway,' because actually allowing talented people to bring their originality and insight always brings more depth and complexity than if everyone has to do what you tell them to!
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If I'm feeling desperate, I'll go out image-hunting. I'll go to news agents and stand at the rack flicking through magazines or go to second-hand bookshops. And then, bit by bit, like concrete poetry, I start to realise that I am drawn to particular things, and then I start wondering why that is.
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Nut up and flipped in, than slipped the clip in, mistakin' the bloody victims.
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They tell me that So-and-So, who does not write prefaces, is no charlatan. Well, I am. I first caught the ear of the British public on a cart in Hyde Park, to the blaring of brass bands,and this . . . because . . . I am a natural-born mountebank.
