John Whiting Quotes
Quotes to Explore
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My wife and I were both very engaged in trying to defeat Trump. We knocked on doors in three states.
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Suddenly I was the man who got the part that every actor in the English language was trying to get. I was really scared. I had talked the talk, and now I had to walk the walk. For three days, I couldn't answer the phone.
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As heat rises, so does the number of people trying to cool down homes, schools, hospitals and businesses. This isn't just about comfort; it's a matter of public health.
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Self-censorship is a lie to yourself; if you are going to be trying to seriously create art, to create literary art, and you decide to hold back, to censor yourself, then you are a fool to yourself and it would be better that you kept your mouth shut and did not speak.
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The biggest thing is education for young chefs and how they should focus on one cuisine rather than trying to imitate too many. It's like art - you can see the cycles from many past artists and new artists being inspired by past artists.
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I'm trying to strike a balance between Bollywood and Hollywood.
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We're not trying to make you less of a man. We just want you to love us as deeply and as wholesomely and as fully as we love you.
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I've been pretty lucky with neighbors. But back in 1998, I lived, like, literally next door to Wrigley Field in Chicago. And I had, like, 50,000 bad neighbors spread out over the course of one summer. I'm a diehard Cubs fan, but living right next to the ballpark, it's just - as you're trying to go to sleep, you can just, like, hear urination.
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The pursuit of happiness, which American citizens are obliged to undertake, tends to involve them in trying to perpetuate the moods, tastes and aptitudes of youth.
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You're trying to put yourself in that moment and trying to prepare yourself, to have a 'memory before the game. I don't know if you'd call it visualising or dreaming, but I've always done it, my whole life.
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When I sit at that typewriter, I have to be frightened of what I'm trying to do. I'm frightened by my own belief that I can actually get a story down on paper.
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A failure is not always a mistake, it may simply be the best one can do under the circumstances. The real mistake is to stop trying.
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When we came to Iraq, we didn't understand the complexity - what it meant for a society to live under a brutal dictatorship with ethnic and sectarian divisions. When we first got here, we made a lot of mistakes. We were like a blind man, trying to do the right thing but breaking a lot of things.
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I'm disregarding all the rules I've seen as people approach writing music. I'm trying to break them.
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I feel like, maybe in the '90s, 'Rookie' would have been shamed for trying to reach a lot of people or trying to be 'mainstream', but I'm so pleased that our readers are happy to see me promoting the 'Rookie' yearbook on TV or whatever.
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At least half my writing time is spent researching. So for every hour I'm actually clicking on the keyboard, I'm spending another hour trying to figure out some tiny detail I need answered.
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I need to decide whether to apply for college or delay it for a couple of years while I pursue some more acting projects. Right now I'm trying to sort things out, so I can make the right choices.
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I was a pretty angry kid, and I got into military history largely as a way to vent my own anger. As I got older it narrowed down to a more specific focus on individual violence. I'm just trying to understand where it came from.
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I don't like to see people using their power over others, trying to hurt people who are weak or poor or people with darker skin or anyone who doesn't have as much privilege. It makes me so angry. I want to fight for people. I want to be able to make some kind of difference in the world.
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If you are not able to transmit what you're trying to achieve to your collaborators, you will only have minions - or morons.
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When I wrote 'Noughts and Crosses', I was halfway through it when I realised this was very like 'Romeo and Juliet'... as long as you make it your own, and put your own spin on it, I think it's brilliant to use other great work to find your own voice.
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Crime, family dissolution, welfare, and low levels of social organization are fundamentally a consequence of the disappearance of work.
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The best way to get a sense of what kinds of emergencies might present themselves in your community is by contacting local chapters of the American Red Cross or offices of emergency management in the region or state. Most large cities will have their own offices of emergency management.
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When we adopted this policy, we were trying to solve a problem
