George C. Wolfe Quotes
I think all creative people are operating from the fear that, of the best of what they did, will anybody remember it? Will anybody tell stories about them? Will anybody keep those pictures on the mantle long after they are gone? It's why people write stories. It's peoples' grave markers.

Quotes to Explore
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I believe that entrepreneurs play an unmatched role and the accelerating pace of innovation is transforming the face of global challenges. You must think about the solution differently when you're trying to impact 1 billion people rather than affecting 1 million people.
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People watch me, waiting for me to slip up, so my privacy has gone - but that's a price you pay.
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For fiction, I'm not particularly nationalistic. I'm not like the Hugo Chavez of Latin American letters, you know? I want people to read good work.
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According to the National Institute on Drug Abuse, the first use of alcohol typically begins at age 12.
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Some people feel good about helping others, and they do so often. They do not realize that their good deeds have a second agenda. They want to be appreciated.
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I would say that my fatal flaw, as a human being, is that I need people to like me, and if they don't like me, I will obsess over it - and try to change my personality until they like me - even if they don't like me for reasons that have nothing to do with me, and even if they're strangers.
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The fear of old age is something that one feels when they're younger. Once you get to being old, you're already there, so you don't even think about it anymore.
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Cinema is a thankless industry where sometimes to appear on the cinematic scenery is a thing for late bloomers and people who are very patient. The places are accounted, and the space is often unwelcoming. Money is rare, and independent voices are muted by the almost complete absence of risk takers.
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I think music docs could turn off some people.
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I don't know what impression you might have of the way I live. I live in a quiet place. I do not live as a hermit, though other people would prefer it if I did.
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We used to say poor people had lousy genes. Then we decided that wasn't OK, but we transferred the prejudice to upbringing. We said, 'You were neglected as a child, so you'll never make it.' That's just as pernicious.
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People don't just love mysteries. They are obsessed with them - especially the kind that are never definitively solved.
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There's so much that goes into a film that I feel like it's a bit arrogant to say, 'Oh, I never watch my own movies.' Well, it's not just you. There's a whole host of other people. So much skill goes into it. But I would say it does take a couple times seeing it to get a level of perspective.
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I haven't done a marathon for a long time. So we'll see. I will need good luck.
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We are angry about paying the highest income taxes and property taxes in the nation and getting less and less for it. We are angry about our incompetent, dysfunctional government that pays no attention to the desires of the people. We are angry about the cesspool of corruption and conflicts of interests and self-dealing that is Albany.
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I think there's a lot of anxiety about being seen as a bad parent. There's still a lot of subjects that I think people aren't entirely comfortable being honest about.
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So often, literature about African people is conflated with literature about African politics, as if the state were somehow of greater import or interest than the individual.
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The last resort of kings, the cannonball. The last resort of the people, the paving stone.
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People like it when others are gossiping. When you hear a story about someone's demise or some big faux-pas they made, everyone wants to tune into it, because it's nice to know that someone else made a mistake. It makes you feel elevated for a moment.
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Nostalgia is when you want things to stay the same. I know so many people staying in the same place.
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The contest between form and content is what, is what art is about - it's art history. That's what basically everybody has ever contended with. The problem is uniquely complex in still photography.
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I just don't want to talk about my personal life. I feel like it's mine, I'm not trying to promote it. It's nice to have things that are your own, that you value enough that you don't have to use to sell a movie.
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I think people underestimate the importance of lighting - layers of lighting, not just one light. I do a lighting seminar where I take a $300-a-yard fabric and a $3-a-yard fabric. I show what lighting can do to either one.
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I think all creative people are operating from the fear that, of the best of what they did, will anybody remember it? Will anybody tell stories about them? Will anybody keep those pictures on the mantle long after they are gone? It's why people write stories. It's peoples' grave markers.