Johnathon Schaech Quotes
I think that all actors find they go down and then they come back up if you work on your craft. They come back up to the top and then they go back down and they come back up and they go back down.
Quotes to Explore
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The lights go down, you hear the applause and you're up there, and then everything else is forgotten.
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Teenage girls these days are more and more getting lured into thinking they should dumb themselves down, and that's going to attract the wrong kind of guy, and it's serious. It's serious business.
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Years ago, we all talked about recycling and not dumping things down your drain and all of that, but talking doesn't help much. Basically, it's going to have to be legislation because the impact is so huge and diversified.
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I might see something on TV and get inspired to write about it. I can't sit down and plan to write. It has to come to me in my head like someone telling me the words.
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I have vertigo. Vertigo makes it feel like the floor is pitching up and down. Things seem to be spinning. It's like standing on the deck of a ship in really high seas.
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Maybe I'll learn how, but the only thing I can do is turn down parts that would hurt my conscience.
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I don't know what I'm qualified to do, film-wise... So it's really down to a director or a casting director to find something that they think I could do.
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If you just keep your head down and just try and do your thing, sometimes magic happens.
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My first book was an adult novel, 'Down Among the Gods,' published by Virago, and I've written poems as well, a slim volume of poetry.
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It's hard for young players to see the big picture. They just see three or four years down the road.
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I found it really hard for a couple of years to do any writing because all I wanted to do was play the fiddle. From the minute I took it up, I just couldn't put it down.
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The actors that I love to work with, they're hard on me. They're pushing me.
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As artists, we must not go down to the level of the masa; we should bring them up, intellectualize our languages, create classics out of our folk arts. We can do this if we are true to our roots and strive for excellence.
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I used to be more of a sporty girl. I love outdoor activities. I haven't been doing much since living in Vancouver. I have my routines down in L.A.
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Out of all the actors I have worked with, I love working with Larry Hagman the most. We were very close and it was just a wonderful time.
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Radio interviews are really snappy and I'm just bad at that. I just close down.
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I almost chopped my thumb off once. Just before I left home, I was about ten or eleven years old, and I was trying to open a bone. Can you imagine that? A bone! I was trying to get the marrow out of a bone, and I took the ax, and I went to chop it, and something slipped, and the ax went right down there and damn near cut it off.
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I never wanted a life of having a nice house, driving around, settling down.
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In fact, you couldn't give me anything to make me go back to being a teenager. Never. No, I hated it.
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When drawings of the main buildings I have designed in the last five years are juxtaposed, the fact that they all involve the pursuit of certain configurations is obvious to anyone.
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I loved my start. I'm proud of my spots. I don't feel embarrassed by anything that I did... It definitely helped me more than hurt me.
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I want to make sure I don't interfere with the success of that team next year. I don't see any way I could go to practice like most of 'em do, and not hurt the team. I'd go nuts if I tried doing that.
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I didn't even know how much of a feminist I was, and I realized, 'Oh my God, I was raised by a single mom who had to raise six kids. I have three sisters. Larry, you've been a feminist your whole life, and you really didn't know it until you've been presented with these issues.'
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I think that all actors find they go down and then they come back up if you work on your craft. They come back up to the top and then they go back down and they come back up and they go back down.
