George Edmund Street Quotes
It is most necessary to avoid rusticity in any way, whether in material, design, or execution.
Quotes to Explore
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Man is a physical and spiritual epitome of the Universe.
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Every child should at least grow up in family rather than without one.
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I sometimes wonder how we're short of cod. There's gonna be a load deep down that are hiding. But it's a good reason to put the price up, and it means a load of people will have haddock. They should tell people they're running out of all sorts. Make 'em panic a bit.
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I have lots of passions - gardens, art, music and reading. I have eclectic taste and read a huge variety of books.
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Opera was the cinema of its time, so to bring back that popular appeal, you just need to unleash its visceral immediacy and excitement. Most productions don't manage that - but when an opera does do it, you never forget it.
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I was, by the way - I'm an Essex lad, born and raised in Essex in the U.K.
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To play four hands requires two people who have great affinity for each other.
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The striking thing about the Precious Blood is the bond it establishes between love and suffering in our experience, a bond that has become so close that we have come to think of suffering accepted with joy as the most authentic sign of love with any depth at all.
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I considered myself very lucky after 'Baghdad Cafe,' and I have 'The Shield.' In every genre, I've kicked butt at some point. I'm real happy.
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One Hundred Year Starship really is about the idea that is we pursue an extraordinary tomorrow; we'll build a better world today.
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But I think the thing I'm proud of about the film is that there aren't many films - either independent films or mainstream Hollywood films - that are like this; it's of its own times, and it's the film Mike Nichols wanted to make.
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You are not a problem that needs solving.
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I just mean it's very difficult for me to watch my work, in some ways, because I am critical of what I didn't get across or I thought I was making one point.
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I would rather not have contentious interviews. I'd rather do 30 minutes with Charlie Rose, laid back in a La-Z-Boy chair.
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The sum of wisdom is that time is never lost that is devoted to work.
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Besides, I have a sister who's straight. And I want her to know that I love her and support her.
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I don't think there is anything magical about the language of flowers in real life or in my book.
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Design is more than just a few tricks to the eye. It's a few tricks to the brain.
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I've started painting much more freely, and faster. I think it's working in the theatre that did it. You know what the Glyndebourne scene-painters said about my The Magic Flute? They said they had to wear sunglasses to paint it.
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To know nothing is the happiest life.
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I was really overwhelmed by the amount of roles that I got offered that were carbon copies of what I did in 'Up in the Air.' I got every offer for every ambitious, unfeeling practically robotic character.
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It is most necessary to avoid rusticity in any way, whether in material, design, or execution.
