Paul Auster Quotes
Actually, screenplays were much more detailed than what I did in the book In the book I had to invent a style for communicating what the sensation of looking at a film would be, whereas the screenplays I wrote in Paris were actual blueprints for how to do the film, with every gesture, every little movement noted in exhaustive detail.
Quotes to Explore
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You have to wait six months to purchase a fuel efficient automobile made from overseas.
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It is by a wise economy of nature that those who suffer without change, and whom no one can help, become uninteresting. Yet so it may happen that those who need sympathy the most often attract it the least.
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I was always interested in the kind of history they didn't teach you in school.
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I like strong female characters. I try to write them as role models for young girls.
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We're dealing with sophisticated customers. What's most important to these women is individuality. I have to create things she'll want to wear, no matter who she is.
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Our mission is to help founders and anyone or anything that helps founders helps us with our mission.
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One of the things I wonder is whether it's good that the whole free model makes a lot of people listen to more of your music. I'm wondering if it devalues it, it becomes disposable, because you can get it so easily.
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The best example of how impossible it will be for Major League Baseball to crack down on steroids is the fact that baseball and the media are still talking about the problem as 'steroids.'
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Nice to see your home fans boo you. That's what loyal support is.
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Each dress symbolizes the age that it's appropriate for.
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I have always lived an ordinary life, and always will. It's who and what has to do with my job that makes it 'unordinary.' I cook, go to the supermarket, pick my children up at school.
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The civil rights fight was a very important fight.
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I just take it one day at a time. Austin Powers has given me a lot of opportunities as far as my career.
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Separate educational facilities are inherently unequal.
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No one inspired me to write, but writer Harlan Ellison terrified me into getting published.
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Retiring is the easy way out.
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The whole borrowing clothes thing is very unnatural for me. I don't feel comfortable with that. If you like something, I'd just give it to you rather than sharing it.
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Whatever the right hand findeth to do, the left hand carries a watch on its wrist to show how long it takes to do it.
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I am very rigorous with myself.
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I read about violent things. I think what I get out of that is entertainment by learning about different things, and reading the genre and getting an understanding of motivations. But at the end of the day, it's still a book, and I can walk away.
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I wasn't creative enough to imagine my first novel becoming a film directed by Alexander Payne. Nor did I consider the possibility of seeing Hollywood stars moving through my personal version of Hanalei town: going to Tahiti Nui, rehearsing a scene in front of my cousin's cottages, driving the snaky roads.
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Actually, screenplays were much more detailed than what I did in the book In the book I had to invent a style for communicating what the sensation of looking at a film would be, whereas the screenplays I wrote in Paris were actual blueprints for how to do the film, with every gesture, every little movement noted in exhaustive detail.
