Peter Porter Quotes
You can never tell when an artist really will take up someone's work and work with it happily.
Quotes to Explore
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I promised my mom that if, after a year of putting 150 percent into my career it didn't work out, I would go back to school. I never did go back.
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I have been known as the minimal and conceptual artist for over five decades. I think I haven't changed much.
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I think when you're dealing with very tenuous scenes and difficult and heavy subject matter, it's important to be close intimately with your cast as friends, and be able to diffuse a lot of that tension and trust each other with the work.
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The beauty of soaps is that it takes a village to make it work, and you get to work with really hardworking people.
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I live a half mile from the San Andreas fault - a fact that bubbles up into my consciousness every time some other part of the world experiences an earthquake. I sometimes wonder whether this subterranean sense of impending disaster is at least partly responsible for Silicon Valley's feverish, get-it-done-yesterday work norms.
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The world of fiction is a sovereign world that comes to life in the author's head and follows the rules of art, of literature. And that is the major difference that is reflected in the form of the work, in its language and its plot. An author invents every aspect of a fiction, every detail.
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Things change and work changes. Right now I like the idea of enveloping a space and getting messages across that connect to the world in ways that seem familiar but are different.
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People who work 44 hours per week make 50 percent more than people who work 34 hours a week.
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In America, people buy cars, and they put very little money down. They get a car, and they go to work. The work pays them a salary; the salary allows them to pay for the car over time. The car pays for itself.
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I want to try and work in different genres with different types of actors, on small movies and big movies.
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I simply seem to drift. But I sort of allow the drift, because it has a kind of check – it forces me to work harder at what I'm interested in.
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If your work becomes a source of enjoyment and a challenge, it will never seem like work - it will be fun. If you ever feel that your work is a burden, there is no point carrying on with it.
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I have a tough time with stand-up because I am an improviser. I can riff; I can do crowd work, so I don't prepare.
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I will try to work for greater reconciliation, cooperation and peace in North East Asia based on correct perception of history.
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I was a visual artist primarily and a writer, even from a very young age.
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A lot of family members worked in the joint commodities family business. It was a classic case of capitalism at work and socialism at home.
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I'm married to an American. I work for a company that is, you know, its headquarters in the U.S.
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I wish I could say I was one of those people who loves working out, but I don't; it's just not that fun. But I make an effort to work out aggressively three times a week.
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When the mind, body, and spirit work together, I believe anything is possible.
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There are times when I get through the day by looking around the office and thinking, 'My God, aren't the natives here strange.'
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I always liked the stress, the real high-stakes, get-the-orders-out line-cook job, as well as the ordering of the produce and everything - it's really similar to making music for a show like 'Hannibal.' It's like cooking; it's just like owning a restaurant.
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In a single second we do away with all seconds; God himself could not do as much.
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I always had a kind of Myth of Cincinnatus idea about politics - that public service was something you do for a while in between stints at real life. And when your time is up, you return to the plow, which is hopefully still somewhere close to where you left it.
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You can never tell when an artist really will take up someone's work and work with it happily.
