Peter Porter Quotes
You can never tell when an artist really will take up someone's work and work with it happily.
Quotes to Explore
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I promised my mom that if, after a year of putting 150 percent into my career it didn't work out, I would go back to school. I never did go back.
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I have been known as the minimal and conceptual artist for over five decades. I think I haven't changed much.
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I think when you're dealing with very tenuous scenes and difficult and heavy subject matter, it's important to be close intimately with your cast as friends, and be able to diffuse a lot of that tension and trust each other with the work.
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The beauty of soaps is that it takes a village to make it work, and you get to work with really hardworking people.
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I live a half mile from the San Andreas fault - a fact that bubbles up into my consciousness every time some other part of the world experiences an earthquake. I sometimes wonder whether this subterranean sense of impending disaster is at least partly responsible for Silicon Valley's feverish, get-it-done-yesterday work norms.
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The world of fiction is a sovereign world that comes to life in the author's head and follows the rules of art, of literature. And that is the major difference that is reflected in the form of the work, in its language and its plot. An author invents every aspect of a fiction, every detail.
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Things change and work changes. Right now I like the idea of enveloping a space and getting messages across that connect to the world in ways that seem familiar but are different.
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People who work 44 hours per week make 50 percent more than people who work 34 hours a week.
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In America, people buy cars, and they put very little money down. They get a car, and they go to work. The work pays them a salary; the salary allows them to pay for the car over time. The car pays for itself.
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I want to try and work in different genres with different types of actors, on small movies and big movies.
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I simply seem to drift. But I sort of allow the drift, because it has a kind of check – it forces me to work harder at what I'm interested in.
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If your work becomes a source of enjoyment and a challenge, it will never seem like work - it will be fun. If you ever feel that your work is a burden, there is no point carrying on with it.
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I have a tough time with stand-up because I am an improviser. I can riff; I can do crowd work, so I don't prepare.
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I will try to work for greater reconciliation, cooperation and peace in North East Asia based on correct perception of history.
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I was a visual artist primarily and a writer, even from a very young age.
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A lot of family members worked in the joint commodities family business. It was a classic case of capitalism at work and socialism at home.
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I'm married to an American. I work for a company that is, you know, its headquarters in the U.S.
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I wish I could say I was one of those people who loves working out, but I don't; it's just not that fun. But I make an effort to work out aggressively three times a week.
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The historical importance of a composer does not always go hand in hand with the quality of their work.
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I always try to see the good in everything, and that gives me strength. Even when I lost in the London Olympics quarterfinals, I said to myself, 'Don't lose heart, God has his own plans.' Actually, life just goes on; you have to accept whatever challenge you face and become stronger.
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Goals help you overcome short-term problems.
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When one of my characters becomes aware of a magical element, it might be because the world is wider than we assume it to be, but it might also be a reminder to pay attention to what is here already, hidden only because it's been forgotten.
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If you want to come fight the good fight to make a difference for people and to try to get the government back on track, where we govern from the middle and not from the extremes, then understand that it's a lonely road, and you're going to have a hard time.
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You can never tell when an artist really will take up someone's work and work with it happily.
