Peter Riegert Quotes
Quotes to Explore
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In terms of my involvement in 'don't ask, don't tell' and marriage equality and anti-bullying and social emotional learning in schools - these are all things that arise out of my relationship with the world and with my fans.
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Wit is the appearance, the external flash of imagination. Thus its divinity, and the witty character of mysticism.
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I've gone very far, far away, but my character keeps me close to home.
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My mum is my biggest critic. She said I was good for the first film, but I can still be better, and I need to polish my acting skills.
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In Men in Black, it was a very small character, no pun intended.
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The analysis of character is the highest human entertainment.
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No matter what, you've got to always follow your passion in life and always keep learning.
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It's always been my dream to just continually do really cool indie movies, character-driven stuff. I would love to do more theater on a larger scale. I'm just excited for the next thing that comes along that I'm salivating over. I think a little more guerrilla would be really exciting to me.
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I actually love doing period pieces, purely because it takes you into a different world, mentally. The clothes you have to wear are so far from our everyday clothes that it immediately helps with the character and putting you in that mind frame.
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Any character that can't be kept straight, to me, isn't a character who should be in the book – you know, anyone not vivid enough to have a claim on my attention.
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My director is usually aware of what works for me and what doesn't. For 'Srimanthudu,' I have to give full credit to director Koratala Sivagaru for handling my character the way he did.
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I try genuinely, when I'm playing a character, to not judge them and just to inhabit someone as how one sees them. That being said, you also want to make sure that you don't blur the edges of people too much because humans are naughty and complicated beings.
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I tend to gravitate toward conflicted characters, and a character who is exploring chaos theory and population control and the difficulties of love and family is pretty rich.
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Beauty is in the character of a person. It's about having an interesting face and about what's inside. Anyone can take a good picture.
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The past could liberate or imprison - it creates a nation's character, provides the nourishment or the poison a people imbibe in their very marrow.
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The nice thing is that, at least in Los Angeles, I'm known as a character actor and I do auditions for other things besides just cartoon shows.
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Writing for me is quite a plastic form, a kind of mental sculpture, although that sounds weird. It acquires its character and its depth as it goes along.
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I get inhabited by a character and then you mourn it. There's a period of mourning for me, definitely.
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My father realizes that he did okay with me. He did the best he could.
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I remember when we were doing the first Dragon's Lair, I got really involved with coming up with all the little rooms and what was the danger in the room and going into it with bats and spiders and snakes.
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I want to be so famous that I'm the pop-culture reference that people would make to try and be racist to me. So I'd be walking down the street, and someone would be, like, 'Hey, look at this Kumail Nanjiani.'
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I've known since day one of working on 'Spring Awakening' - back in 1999 - that it was special.
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You rely on a lot of things about learning to play a particular character.
