Umberto Eco Quotes
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Temi, Adso, i profeti e coloro disposti a morire per la verità, ché di solito fan morire moltissimo con loro, spesso prima di loro, talvolta al posto loro.
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Nothing gives a fearful man more courage than another's fear.
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I started to write The Name of the Rose in March of 1978, moved by a seminal idea. I wanted to poison a monk.
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A democratic civilization will save itself only if it makes the language of the image into a stimulus for critical reflection - not an invitation for hypnosis.
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After years of practice, I can walk into a bookstore and understand its layout in a few seconds. I can glance at the spine of a book and make a good guess at its content from a number of signs.
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I have come to believe that the whole world is an enigma, a harmless enigma that is made terrible by our own mad attempt to interpret it as though it had an underlying truth.
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Our life is full of empty space.
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The good of a book lies in its being read. A book is made up of signs that speak of other signs, which in their turn speak of things. Without an eye to read them, a book contains signs that produce no concepts; therefore it is dumb.
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Human beings are religious animals.
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Every time that I write a novel I am convinced for at least two years that it is the last one, because a novel is like a child. It takes two years after its birth. You have to take care of it. It starts walking, and then speaking.
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But Italy is not an intellectual country. On the subway in Tokyo everybody reads. In Italy, they don't. Don't evaluate Italy from the fact that it produced Raphael and Michelangelo.
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Berlusconi is a genius in communication. Otherwise, he would never have become so rich.
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When the poet is in love, he is incapable of writing poetry on love. He has to write when he remembers that he was in love.
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We are a pluralist civilisation because we allow mosques to be built in our countries, and we are not going to stop simply because Christian missionaries are thrown into prison in Kabul. If we did so, we, too, would become Taliban.
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My maternal grandmother - she was a compulsive reader. She had only been through five grades of elementary school, but she was a member of the municipal library, and she brought home two or three books a week for me. They could be dime novels or Balzac.
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Political satire is a serious thing. In democratic newspapers throughout the world there are daily cartoons that often are not even funny, as is the case especially in many English-language newspapers. Instead, they contain a political message, and the artist takes full responsibility.
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'There, Master Niketas,' Baudolino said, 'when I was not prey to the temptations of this world, I devoted my nights to imagining other worlds. ... There is nothing better than imagining other worlds,' he said, 'to forget the painful one we live in. At least so I thought then. I hadn't yet realized that, imagining other worlds, you end up changing this one.'
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The author may not interpret. But he must tell why and how he wrote his book.
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The question of manuscript changes is very important for literary criticism, the psychology of creation and other aspects of the study of literature.
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If people buy my books for vanity, I consider it a tax on idiocy.
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Perhaps I am not as wise as I like to think I am.
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They [the Templars] had read Avicenna, and they were not ignorant, like the Europeans. How could you live alongside a tolerant, mystical, libertine culture for two centuries without succumbing to its allure, particularly when you compared it to Western culture, which was crude, vulgar, barbaric, and Germanic?
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I would define the poetic effect as the capacity that a text displays for continuing to generate different readings, without ever being completely consumed.
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Fools are in great demand, especially on social occasions. They embarrass everyone but provide material for conversation. In their positive form, they become diplomats.