Umberto Eco Quotes
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Show not what has been done, but what can be. How beautiful the world would be if there were a procedure for moving through labyrinths.
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But why doesn't the Gospel ever say that Christ laughed?" I asked, for no good reason. "Is Jorge right?" "Legions of scholars have wondered whether Christ laughed. The question doesn't interest me much. I believe he never laughed, because, omniscient as the son of God had to be, he knew how we Christians would behave. . . .
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Once upon a time there were mass media, and they were wicked, of course, and there was a guilty party. Then there were the virtuous voices that accused the criminals. And Art (ah, what luck!) offered alternatives, for those who were not prisoners to the mass media.
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It is necessary to meditate early, and often, on the art of dying to succeed later in doing it properly just once.
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Not that the incredulous person doesn't believe in anything. It's just that he doesn't believe in everything.
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The art of splitting hairs four ways. This is the department of useless techniques. Mechanical Avunculogratulation, for example, is how to build machines for greeting uncles. We're not sure, though, if Pylocatabasis belongs, since it's the art of being saved by a hair. Somehow that doesn't seem completely useless.
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That is a real attitude - to see everything as being meaningful, even the less important things, to prove something, even the greater problems of life.
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Daytime sleep is like the sin of the flesh; the more you have the more you want, and yet you feel unhappy, sated and unsated at the same time.
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Is it worth it to be born if you cannot remember it later? And, technically speaking, had I ever been born? Other people, of course, said that I was. As far as I know, I was born in late April, at sixty years of age, in a hospital room.
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We live for books.
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You cannot escape one infinite, I told myself, by fleeing to another. You cannot escape the revelation of the identical by taking refuge in the illusion of the multiple.
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One of the problems I have always discussed is the refusal to distinguish between comment and fact. The newspaper wraps every fact into a comment. It is impossible to give mere fact without establishing point of view.
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Well, Diotallevi and I are planning a reform in higher education. A School of Comparative Irrelevance, where useless or impossibe courses are given. The school's aim is to turn out scholars capable of endlessly increasing the number of unnecessary subjects.
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I believe that you can reach the point where there is no longer any difference between developing the habit of pretending to believe and developing the habit of believing.
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I think that at a certain age, say fifteen or sixteen, poetry is like masturbation. But later in life good poets burn their early poetry, and bad poets publish it. Thankfully I gave up rather quickly.
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Originality and creativity are nothing but the result of the wise management of combinations. The creative genius combines more rapidly, and with a greater critical sense of what gets tossed out and what gets saved, the same material that the failed genius has to work with.
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A narrator should not supply interpretations of his work; otherwise he would have not written a novel, which is a machine for generating interpretations.
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He who laughs does not believe in what he laughs at, but neither does he hate it. Therefore, laughing at evil means not preparing oneself to combat it, and laughing at good means denying the power through which good is self-propagating.
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An idea you have might not be original. But by creating a novel out of that idea you can make it original.
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Two cliches make us laugh. A hundred cliches move us. For we sense dimly that the cliches are talking among themselves, and celebrating a reunion.
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If two things don't fit, but you believe both of them, thinking that somewhere, hidden, there must be a third thing that connects them, that's credulity.
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The more things you know, or pretend to know, the more powerful you are. It doesn't matter if the things are true. What counts, remember, is to possess a secret.
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If you want to become a man of letters and perhaps write some Histories one day, you must also lie and invent tales, otherwise your History would become monotonous. But you must act with restraint. The world condemns liars who do nothing but lie, even about the most trivial things, and it rewards poets, who lie only about the greatest things.
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If photography is to be likened to perception, this is not because the former is a natural process but because the latter is also coded.