Umberto Eco Quotes
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All the stories I would like to write persecute me. When I am in my chamber, it seems as if they are all around me, like little devils, and while one tugs at my ear, another tweaks my nose, and each says to me, 'Sir, write me, I am beautiful.
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In the Middle Ages, cathendrals and convents burned like tinder; imagining a medieval story without a fire is like imagining a World War II movie in the Pacific without a fighter plane shot down in flames.
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The Fundamental Principle that governs - or ought to govern -human affairs if we wish to avoid misunderstandings, conflicts, or pointless utopias, is negotiation.
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The print does not always have the same shape as the body that impressed it, and it doesn't always derive from the pressure of a body. At times it reproduces the impression a body has left in our mind: it is the print of an idea.
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When the writer (or the artist in general) says he has worked without giving any thought to the rules of the process, he simply means he was working without realizing he knew the rules.
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Beauty has never been absolute and immutable but has taken on different aspects depending on the historical period and the country
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This, in fact, is the power of the imagination, which, combining the memory of gold with that of the mountain, can compose the idea of a golden mountain.
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The older I grow and the more I abandon myself to God's will, the less I value intelligence that wants to know and will that wants to do; and as the only element of salvation I recognize faith, which can wait patiently, without asking too many questions.
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All the blogs, Facebook, Twitter are made by people who want to show their own private affairs at the price of making fakes, to try to appear such as they are not, to construct another personality, which is a veritable loss of identity.
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For, I must tell you, in this world where today all lose their minds over many & wondrous Machines - some of which, alas, you can see also in this Siege - I construct Aristotelian Machines, that allow anyone to see with Words.
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I discovered ... that a novel has nothing to do with words in the first instance. Writing a novel is a cosmological matter, like the story told by Genesis (we all have to choose our role models, as Woody Allen puts it).
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Stopgaps do belong to the internal economy of the form, since the Whole requires them, even if only in a subordinate position ... The stopgap Luigi Paryson's 'zeppa' accepts its own banality, because without the speed that the banal allows up, it would slow up a passage that is crucial for the outcome of the work and its interpretation.
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A library's ideal function is to be a little bit like a bouquiniste's stall, a place for trouvailles.
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Your masters at Oxford have taught you to idolize reason, drying up the prophetic capacities of your heart!
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I write stories about conspiracies and paranoid characters while I am, in fact, a very skeptical person.
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On sober reflection, I find few reasons for publishing my Italian version of an obscure, neo-Gothic French version of a seventeenth century Latin edition of a work written in Latin by a German Monk toward the end of the fourteenth century...First of all, what style should I employ?
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I believe that what we become depends on what our fathers teach us at odd moments, when they aren't trying to teach us. We are formed by little scraps of wisdom.
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Socrates ... did not write. It seems academically obvious that he perished because he did not publish!
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And so I fell devoutly asleep and slept a long time, because young people seem to need sleep more than the old, who have already slept so much and are preparing to sleep for all eternity.
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I do not remember where I read that there are two kinds of poets: the good poets, who at a certain point destroy their bad poems and go off to run guns in Africa, and the bad poets, who publish theirs and keep writing more until they die.
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The Internet gives us everything and forces us to filter it not by the workings of culture, but with our own brains. This risks creating six billion separate encyclopedias, which would prevent any common understanding whatsoever.
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True learning must not be content with ideas, which are, in fact, signs, but must discover things in their individual truth.
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Since I became a novelist I have discovered that I am biased. Either I think a new novel is worse than mine and I don’t like it, or I suspect it is better than my novels and I don’t like it.
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I have always been fascinated by paranoid people imagining conspiracies. I am fascinated by this in a critical way.