George Gilder Quotes
Quotes to Explore
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I need instant gratification.
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Origin stories are really important to me. I just like that sort of stuff and I feel like it makes a lot of sense to the guys, who they are. If you don't have that stuff, it's kind of a one dimensional version of it.
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I believe journalism or news will migrate to the online medium.
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There is no age limit on the enjoyment of sex. It keeps getting better.
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My first published work was when I was 19, in 'Playgirl.' It was an odd experience but exciting.
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There's this really good line in 'Women in Love' where Ursula says, 'I always thought it was a sin to be unhappy.' And actually I think that's very common, it's what a lot of people feel - that you have an obligation to life to be happy if you can.
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I have five horses. My first was a professional jumper named Santos. I got him when I was 18.
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I sometimes wonder how we're short of cod. There's gonna be a load deep down that are hiding. But it's a good reason to put the price up, and it means a load of people will have haddock. They should tell people they're running out of all sorts. Make 'em panic a bit.
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My father taught me photography. It was his hobby, and we had a small darkroom in the fruit cellar of our basement. It was the kind of makeshift darkroom that was only dark at night.
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Opera was the cinema of its time, so to bring back that popular appeal, you just need to unleash its visceral immediacy and excitement. Most productions don't manage that - but when an opera does do it, you never forget it.
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I was, by the way - I'm an Essex lad, born and raised in Essex in the U.K.
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To play four hands requires two people who have great affinity for each other.
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When you're mid-season, in very intense situations, it's hard not to take that home with you. Especially when you're sleeping, you can't control what you dream about. And it sneaks into the unconscious.
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I don't go out. I don't go to clubs. It's not my thing. I sit at home with my glass of wine and watch hours of reality TV. I have a million shows on my TiVo.
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One Hundred Year Starship really is about the idea that is we pursue an extraordinary tomorrow; we'll build a better world today.
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I do have, like, a regular childhood. I mean, I'm treated the same.
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It's through engagement with the world, and not separation from it, that something with meaning gets produced.
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Acting is an aesthetic career, which is annoying.
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Both my mom and my dad have always included me in intelligent conversations about people, about characters, about how people work. My dad and my mom still read all scripts that I find interesting. I send them an e-mail, and I'm like, 'Okay, I have my eye on this,' or whatever.
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Participation is empowering and design is empowered by it.
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If I don't fall in love with my characters, I cannot shoot.
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Mother cow is in many ways better than the mother who gave us birth.
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Intelligent design itself does not have any content.
