Johnny Manziel Quotes
Quotes to Explore
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We must become acquainted with our emotional household: we must see our feelings as they actually are, not as we assume they are. This breaks their hypnotic and damaging hold on us.
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When I write sad songs, I feel like I'm sewing up a scar in me, and the outcome always feels so much better than when I write happy ones.
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In this era in which we live, the old-fashioned virtues grow increasingly unpopular.
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I don't play anymore, because I know I'm not going to be a pro golfer. So there's no reason to golf.
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I am autobiographical in the way a dream transforms experience and emotions all the time.
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I loved London. In the 1970s... it was very exciting, really wild.
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When girls are educated, you get effects that cascade throughout society.
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I remember being a teenager and seeing Seymour Cassel across a crowded room and being incredibly star struck, and not having the courage to say, 'Hello.'
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I just try to keep myself a traditionalist. I liked being an underground comic doing my thing. I want to maintain that. I just do.
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Every once in a while I feel the tremendous force of the novel. But it does not stay with me.
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When he said we were trying to make a fool of him, I could only murmur that the Creator had beat us to it.
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As much as possible, I try to encourage people to use stunt men because that is really their job.
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We don't go against the will of the people.
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My dad said, 'Cam, you can make this situation a dream or you can make this situation a nightmare.' That struck a fire under me. That was my drive.
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'She's Dynamite' was a 100 years ago, and I recorded that song because the company thought that it was a great song and it was hot. That was the beginning of rock n' roll, and I guess they thought it would be a BB King version of rock n' roll.
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I cherish the ballets made for myself by Mr. Balanchine. He never lost his temper. He was quiet, humble, the genius of the 20th century.
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No matter how happily a woman may be married, it always pleases her to discover that there is a nice man who wishes that she were not.
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I love my job so much, and not everyone can say that and I recognize how lucky that is.
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I found an agent midway through my year-long run at 'Grease' and just started to audition. I fortunately booked 'South Pacific' six months after 'Grease' was over, and I feel like that was a huge turning point in legitimizing myself in the Broadway community, and getting to do that was absolutely amazing.
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I completely admire my mother for raising a child with cerebral palsy at home.
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For me, what really excites me about my characters and what pushes their core is the kind of dark, sad side of life.
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I love finding out-of-the-box inspirations and blending them with what I've done in the past. And when I started to experiment with genres, it didn't sound forced. Maybe that's because it's all music that I listened to growing up, and it's all music that I love.
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I owe the little formal education I got to my drama teacher, Mr. Pickett, who got us to read Shakespeare, Moliere, and other classics.
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I'm a small-town kid from Kerrville, Texas.
