Johnny Manziel Quotes
Quotes to Explore
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We must become acquainted with our emotional household: we must see our feelings as they actually are, not as we assume they are. This breaks their hypnotic and damaging hold on us.
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When I write sad songs, I feel like I'm sewing up a scar in me, and the outcome always feels so much better than when I write happy ones.
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In this era in which we live, the old-fashioned virtues grow increasingly unpopular.
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I am autobiographical in the way a dream transforms experience and emotions all the time.
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I loved London. In the 1970s... it was very exciting, really wild.
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When girls are educated, you get effects that cascade throughout society.
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I remember being a teenager and seeing Seymour Cassel across a crowded room and being incredibly star struck, and not having the courage to say, 'Hello.'
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I just try to keep myself a traditionalist. I liked being an underground comic doing my thing. I want to maintain that. I just do.
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Every once in a while I feel the tremendous force of the novel. But it does not stay with me.
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When he said we were trying to make a fool of him, I could only murmur that the Creator had beat us to it.
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As much as possible, I try to encourage people to use stunt men because that is really their job.
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We don't go against the will of the people.
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My dad said, 'Cam, you can make this situation a dream or you can make this situation a nightmare.' That struck a fire under me. That was my drive.
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'She's Dynamite' was a 100 years ago, and I recorded that song because the company thought that it was a great song and it was hot. That was the beginning of rock n' roll, and I guess they thought it would be a BB King version of rock n' roll.
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I cherish the ballets made for myself by Mr. Balanchine. He never lost his temper. He was quiet, humble, the genius of the 20th century.
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I love my job so much, and not everyone can say that and I recognize how lucky that is.
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I found an agent midway through my year-long run at 'Grease' and just started to audition. I fortunately booked 'South Pacific' six months after 'Grease' was over, and I feel like that was a huge turning point in legitimizing myself in the Broadway community, and getting to do that was absolutely amazing.
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I still think I am the greatest.
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What really motivates you to try to work things out as an actor is in large part fear, because you want to get into that narrative and bring the audience along.
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I was skeptical about doing Texas Chainsaw at first because it's such a cult classic. I'd seen some of the sequels and was not a fan of those.
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I like to make movies in Texas because that's where I learned how to do it. I know the industry there, I know the people, I know the crews. But it's hard to make films in Texas.
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For Debussy the musician and the man I have had profound admiration, but by nature I'm different from him. I think I have always personally followed a direction opposed to that of the symbolism of Debussy.
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Love for the Lord is not an ethereal, intellectual, dreamlike thing; it is the intensest, most vital, most passionate love of which the human heart is capable.
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I'm a small-town kid from Kerrville, Texas.
