Johnny Weissmuller Quotes
The director sent for me for Tarzan. I climbed the tree and walked out on a limb. The next day I was told I was an actor.
Quotes to Explore
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I think 'The Color of Money' was very instrumental in opening up other opportunities. People started to recognize me as an artist after that film. And then, after I did 'Bird,' it was more solidified.
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Chinese people age overnight.
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Businesses fail when they over-invest in what is at the expense of what could be.
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Fashion isn't something you can buy; you need to have the sense of it, and most people don't.
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At some point, you're going to have to be willing to take a punch for your team. If your employees or your teammates will see that you're willing to do that, they are more likely to be loyal to you, and your team is more likely to function better.
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Don't hate me for what tabloids write about me, because I guarantee it's a lie.
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I want to do that. That's my goal. I want to become a legend.
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I'm the best Twitterer.
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People are not happy with women in actual power, yet we seem to be happy to take women on as figureheads, objects, like queens. It's a powerful yet politically powerless role.
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Being a recognised face has its problems. I miss the freedom to go anywhere I want to.
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It was important on The Shipping News to have my house far enough away from each location so I had this time in the morning to think about my shots and still remain open to surprises once I got to the set.
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The days of the painter at the Bauhaus appear to be truly over. They are estranged from the actual core of present activities, and their influence is more restricting than inspiring.
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I have a fat head – I get freaked-out looking at pictures of me.
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Hemingway's minimalism is based on the psychological mechanics of repression. An echo of his approach can be detected in a favorite trope of 1980s minimalists: a pattern of reference to dire secrets and hidden wounds these authors didn't realize they were supposed to have imagined.
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I developed the habit of writing novels behind a closed door, or at my uncle's, on the dining table.
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I don't mind doing the green-screen stuff at all, and in fact it's a lot like black-box theater, which I did plenty of in New York.
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I've done a lot of things in my life.
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We see God face to face every hour, and know the savor of Nature.
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So I guess I had, I think they tell me I had, about three years total of piano lessons, off and on.
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In the perception of a tree we can distinguish the act of experiencing, or perceiving, from the thing experienced, or perceived.
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Thousand years ago, we all descended from Africans who left the continent. Those ancestors, we will never know their name. We can go back 200 or 300 years and actually populate your family tree with real people who had names and documents. They had customs, characteristics that, unbeknownst to you, you have inherited. Almost through osmosis it has been passed down to you.
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You can't sow an apple seed and expect to get an avocado tree. The consequences of your life are sown in what you do and how you behave.
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Suppose you were to come upon someone in the woods working feverishly to saw down a tree. "What are you doing?" you ask. "Can't you see?" comes the impatient reply. "I'm sawing down this tree." "You look exhausted!" you exclaim. "How long have you been at it?" "Over five hours," he returns, "and I'm beat! This is hard work." 'Well, why don't you take a break for a few minutes and sharpen that saw?" you inquire. "I'm sure it would go a lot faster." "I don't have time to sharpen the saw," the man says emphatically. "I'm too busy sawing!"
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The director sent for me for Tarzan. I climbed the tree and walked out on a limb. The next day I was told I was an actor.
