Jon Evans Quotes
I'm a victim of Developaralysis: the crippling sense that the software industry is evolving so fast that no one person can possibly keep up.
Quotes to Explore
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I think every job I do, I sort of look for the challenge in. I mean, that's why we do this job. It's not, you know, obviously not for the money or for the fame, it's for, I guess finding out more about yourself.
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Youth all over the world are very hungry to succeed.
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I think success is very hard work, so, you know, if you work hard and you have some success, you have to give up something.
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I don't pretend to be anything but an actor and a writer.
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I am not into marriage. You look at all the marriages breaking down and all the people cheating on their marriages, and you become cynical. Marriage is nothing but a label.
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My little circle of friends know how twisted my brain is. I'm constantly reading and people always think, 'Ah, we didn't know that about you', but that's part of my charm.
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I normally don't endorse in Democratic primaries.
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If you taste something, you're not at the maximum of your ability. What I think about in competition is temperature and texture. It has nothing to do with taste or emotion.
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Between the ages of 18 and 20, I made three hour-long films. One was a superhero film called 'Carbolic Soap.' One was a cop film called 'Dead Right.' And the other was called 'A Fistful Of Fingers.'
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Fat noses have no place in the Hindi film industry. But it is not so in the West - otherwise, Anthony Quinn would have never been an actor.
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You have to be brave and not always play likeable people. It's difficult, because there's a demand for the hero or heroine to be very likeable.
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Chains of habit are too light to be felt until they are too heavy to be broken.
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Music is pretty intimate stuff and I can only work with very few people: Gonzalez being one, Mocky being another and, on a completely different level, Broken Social Scene. With Broken Social Scene it's not one-on-one, it's a one-on-12. It's very healthy, very comfortable, like a big pot luck supper among old friends.
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I don't see myself as a diva at all.
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What makes Ireland inclined toward the drama is that it's a great country for conversation.
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The Tao teaches us not to intervene and interfere. The things we love we have to learn to leave alone. And the people we love we have to learn to let them be.
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However wack anyone thought 'Whatzupwitu' was, there's not a lot of people that have footage of themselves dancing around in the clouds with Michael Jackson. I do have that forever.
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Each time I free a child, I feel it is something closer to God.
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Mike Tyson was one of the fighters who motivated me. How? We both used to train at the Golden Gloves boxing gym. I used to see his Rolls-Royce, his diamond Rolex on, and I said, 'You know what? Those are the things that I want.'
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You can't stop the aging process. There's only so much oil you can put on your body. I've always just tried to go with my age. If the part requires somebody a little younger or older, I can probably get away with that.
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Before I started writing, I'd never read much fiction. I was more interested in non-fiction. I'm taking the same approach to theatre: I can operate from a position of ignorance and make up my own rules instead of being bound by customs and practice.
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I don't have a no-trade clause. I figure someone is going to pick me up.
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We have a desperate need for producers in the [commercial Broadway] theatre, and it is very hard for them to get money and find investors for new plays.
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I'm a victim of Developaralysis: the crippling sense that the software industry is evolving so fast that no one person can possibly keep up.
