Jon Favreau Quotes
I like a naturalism to my dialogue and my comedy. I would rather have a few jokes sail by that might be more subtle than have every single joke hit hard. I would rather the comedy come out of character as opposed to feeling forced. Even if you're giving some laughs up for it.

Quotes to Explore
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I'm a mother of three. I don't really have the time to put very elaborate outfits together, so I keep it casual but dress it up with shoes, a bag, and jewellery.
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What goes for sex goes double for politics.
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I was in a commercial for the Disney channel. I was the camp leader for the campers.
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I don't really write jokes down. I tend to have a premise that I work out and test on stage.
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When I played Robert Howard in 'The Whole Wide World', I was struggling with it. There's this dual thing where you feel real good about being able to play this juicy part, and then there's constant shame: 'Who am I to pretend to know who this guy was? Who am I to represent this guy for people who never knew him?'
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I believe the collapse of the House of Windsor is tied in with the collapse of the Church of England.
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I hate to witness animals in captivity - or see circus elephants paraded down the streets. When animals are caged, it's a loss of what they are.
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I had studied theater for three years in London when someone suggested me for the role.
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I was always going to be a dancer - I drifted into acting.
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I'm not desperately looking for a man, but I'm sure one of these days, I'll find my Mr. Right.
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Credit you give yourself is not worth having.
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To be successful in struggle requires remembrance of the Creator and the doing of good deeds. This is important because successful struggle demands that there be a kind of social consciousness.
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Some people can be choosy because they're ultratalented or lucky or whatever, but yeah, there are certain things that might not be the greatest thing on my resume. But I don't sit back and go, 'Gosh, I wish I didn't do that.' It's all part of the growth of a career, whether you're an entertainer or a librarian.
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I grew up in Synagogue in the boys' choir. We didn't listen to music in the house; only at temple. Then I went to a mostly African American high school on the South Side of Chicago and joined a gospel choir.
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What St. Francis and St. Dominic have done, that, by God's grace, I will do.
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A dark poem is meant to redeem the dark part.
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So I was in America and I thought I'll stick around while I'm here and just see what happens. The next film I did was High Art, so I guess it started with a sort of vague idea but really just a fantasy.
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It is no surprise that companies do not often respond to moral pressure alone. We need to hit them hard in their pocketbook and on their balance sheet. We need to show them that their stock prices will be affected if their actions encourage Iran's nuclear weapons ambitions.
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We can only be what we give ourselves the power to be.
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So many differing opinions and philosophies... are rarely housed under the roof of a single magazine.
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Now that mobile phones and the internet have altered the epistemic selective landscape in a revolutionary way, every religious organisation must scramble to evolve defences or become extinct.
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Bin Laden is dead. Al-Qaida eventually will die. But the model that al-Qaida has created of an asymmetric terror group that has enormous consequences in the world well beyond the size of the group, that's going to endure. Other groups are going to try to follow that model.
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Listening and hearing are two different things, and acting is comprehending what the person is saying, thinking how it makes you feel and responding. That's the key to really honest, truthful, compelling performance.
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I like a naturalism to my dialogue and my comedy. I would rather have a few jokes sail by that might be more subtle than have every single joke hit hard. I would rather the comedy come out of character as opposed to feeling forced. Even if you're giving some laughs up for it.