Jon Gries Quotes
Quotes to Explore
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Many people believe the whole catastrophe is the oil we spill, but that gets diluted and eventually disarmed over time. In fact, the oil we don't spill, the oil we collect, refine and use, produces CO2 and other gases that don't get diluted.
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Romeo Must Die came at the right time. It was the right vehicle for me.
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I really loved making 'Love, Nina.' I was in every scene, which was amazing. Bloody hell, what a job!
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Part of my job as Children's Laureate is to visit schools and talk about my love of books and stories and encourage them all to do it as well - to read, to write, to never be afraid of their own voice. Because we all have something to say.
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If you can make a character likable that's not very nice, that's the challenge of the job.
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'The Big Chill' had a bunch of really talented actors, a great soundtrack, and the college connections that the characters shared. It's one of those movies I glean something different from every time I watch it.
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I think movie and television companies are in the business of making money, and if you have a franchise, eventually you'll want to exploit that franchise and revisit it. So I assume at some point someone will do another story in the 'Lost' world.
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I act because it's the one time I'm sure of my identity. There's no doubt. It's on paper.
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We're immersed in the spirit of God all the time. We just don't notice.
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The ability to select stocks, manage them over time and know when to sell them is incredibly difficult, even for professional fund managers.
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I'm a comedian who happens to be Latino. What's the difference? The difference is, my special will air on Comedy Central, not Telemundo.
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White House officials acknowledge in broad terms that a president's time and public rhetoric are among his most valuable policy tools.
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The championship always goes to the team that wins the most rounds and is the most prepared. I think everybody on our team works hard towards keeping that goal. Time will tell if we're prepared or not.
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I came to N.Y.C. in 1988 and got very involved with Act Up. I also started making movies, including two very gay shorts, 'Vaudeville' and 'Lady.' It was the height of the AIDS epidemic, and New York City was both dying and very alive at the same time.
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I was a dramatic kid. I was always like, 'Watch me put on my play, Mom and Dad! You have to watch me put on all these outfits and do this play!' But my family is very academic and straightforward and normal Midwestern people, so the idea that I could act as an actual job wasn't really there.
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What's really important in life? Sitting on a beach? Looking at television eight hours a day? I think we have to appreciate that we're alive for only a limited period of time, and we'll spend most of our lives working.
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I haven't done a marathon for a long time. So we'll see. I will need good luck.
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If I have a choice between looking something up and making it up, I'll make it up every time.
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I landed a job at HBO, working for two years on the 'The Alzheimer's Project,' which aired in May 2009. I was fortunate to work with a great mentor, producer John Hoffman, and the amazing doc filmmaker Susan Froemke.
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It is an interesting thing. Every time I try and stray from the path of food, I get whacked.
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I'm one of those directors who read reviews, even if they're bad, because I started as a film critic as a cinema student. I indulge in the art of criticism in general.
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Medicaid and Medicare both need to be devolved to the states.
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I always want to be a part of ensembles. Besides it feeling safer, I think it's a more fun environment to work in. To have a bunch of people collaborating on something, it takes the pressure off of each individual.
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Actually, it seems like every time I'm about to pack it in, that's when I get a job.
