Jonathan Demme Quotes
That is - the use of the subjective camera is an idea that's been around in movies for a long, long time. And it's an idea that was seized on very notably by Sam Fuller and by Alfred Hitchcock in two different very kind of - otherwise very different styles of filmmaking.
Quotes to Explore
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But in the east the sky was pale and through the gray woods came lanterns with wagons and horses, bringing Grandpa and Grandma and aunts and uncles and cousins.
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Such is the miraculous nature of the future of exiles: what is first uttered in the impotence of an overheated apartment becomes the fate of nations.
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For me, my writing benefits from my experience.
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When you're writing a novel - at least the way I write is I work from what I would call 'emotional atmosphere,' ambiance to ambiance.
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I liked to play dress-up.
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I think I should get a bigger between-the-song persona, so then I'm not wandering around the stage like some mad old auntie that's saying hello to people and falling over.
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I think, for the majority of my twenties, I was always so concerned with what I didn't have, or what I still wanted.
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Dave thought he was bigger than Van Halen the band. So there was this catfight going on for 10 years.
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What man is there, surrounded though he be with the love of wife and children, who does not retain a memory of the romantic affection of boys for each other? Having felt it, he could scarcely have forgotten it, and if he never felt it, he missed one of the most golden of the prizes of youth, unrecapturable in mature life.
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Nothing is funnier than confidently doing the wrong thing.
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Every generation is obsessed with the decade before they were born.
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My aunt took me to see 'Salad Days' when I was seven. This story of a magic piano that infects everyone who hears it infected me, too. It was a Road to Damascus moment in my life.
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Whoever does not philosophize for the sake of philosophy, but rather uses philosophy as a means, is a sophist.
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In recent years, the government has lost more than five million fingerprints from government employees. They have lost hundreds of millions of credit numbers from financial institutions. This problem is happening more and more and more. And the only way we can protect ourselves is to make phones more and more secure.
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I don't believe in elitism. I don't think the audience is this dumb person lower than me. I am the audience.
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Was Jesus the son of God? Yes. But so are you. You just haven't realized it yet.
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You can't impose a legacy.
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I started saying, 'I don't want to be crazy anymore.' I need to make some changes. And the first thing I started doing was just got all the men out of my life, because that was a big problem for me. That was a crutch, if you will. You know, trying to define yourself through other people or men, in particular.
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Once we can do Pixar-quality graphics rendered in real time with interactivity, I could see games costing $200 million to make, and all of a sudden you have to sell a lot of games just to break even, so I'm a little worried someone's going to do that.
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I just get silly inside my head and I start to think about something and in my head I start twisting it around, contorting it and envisioning it in different ways.
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Drugs were pretty easy to quit taking. I was never addicted to anything to begin with. But then, liquor - I had to wait about another six years before I finally got around to quitting that. I'm sure glad I did.
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The arts especially address the idea of aesthetic experience. An aesthetic experience is one in which your senses are operating at their peak; when you’re present in the current moment; when you’re resonating with the excitement of this thing that you’re experiencing; when you are fully alive.
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Fresh snow is amazing. The board is real different... it floats on the powder and goes really fast. If you're riding a long board, it's more like surfing than skiing.
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That is - the use of the subjective camera is an idea that's been around in movies for a long, long time. And it's an idea that was seized on very notably by Sam Fuller and by Alfred Hitchcock in two different very kind of - otherwise very different styles of filmmaking.
