Jonathan Levine Quotes
I really like using genre to tell a story about characters but also use it as a Trojan horse to tell social or cultural commentary. That's where the best stuff, especially in the zombie genre, comes out of.
Quotes to Explore
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I never got hurt when I was in Morocco doing all the horse riding and my own stunts. But on the last day on the last shot I slid off my horse and landed on my bottom. I did not get hurt but it was very embarrassing.
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I have a birthmark on the inside of my left knee that resembles an upside-down sea horse.
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The director took my face in his hands and asked me to show him my teeth, as with a horse. This happened on a Wednesday, and by the following Monday I was shooting.
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My mum was a nurse, and her passion was geriatric care. I used to love listening to the old people's stories in her nursing home and picturing myself in their place. They'd say, 'I went to school in a horse and cart,' and I'd just think 'Wow!' I'd picture myself in their place - acting was a natural progression.
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Israel is the only democracy in the Middle East.
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With twelve horse power at our command, we considered that we could permit the weight of the machine with operator to rise to 750 or 800 pounds, and still have as much surplus power as we had originally allowed for in the first estimate of 550 pounds.
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Artists forget than the first purpose of a comic character is to convey emotion. Everything else, like realism, or other kinds of virtuosity, is an optional extra. If you sacrifice expression for the sake of other concerns, you're putting the cart before the horse.
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A fly, Sir, may sting a stately horse and make him wince; but, one is but an insect, and the other is a horse still.
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I got a horse when I was eight or 10 years old. And dad used to take me to the rodeo back home. I got into it big time.
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'Winner' is a commercial family entertainer with a strong emotional core. Teju couldn't hold back his tears after watching the movie. The horse race portions were mostly shot in Turkey.
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When you're taking a fence on a horse, you don't think much; your body does all the thinking, and you're over or you're not over. It's much the same when you are doing a tricky thing with a pen. There are times when I'm writing very, very fast.
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When I was living in the projects, I had a mop stick for my horse. I wanted to be Gene Autry or Roy Rogers, so I would ride my mop through the projects.
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You can't get angry with a horse. They will get angry and frisky with you.
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My father had owned a ranch when he was younger, in Montana, and he remembered riding his horse across the prairie and seeing some large bones sticking out of the ground. He was enough of a geologist, being a sand and gravel man, to have a pretty good notion that they were dinosaur bones.
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Everything comes back to the horse, which is why I love it. You put your ego aside, and you concentrate on getting the best performance out of this creature.
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For what the horse does under compulsion, as Simon also observes, is done without understanding; and there is no beauty in it either, any more than if one should whip and spur a dancer.
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A horse is dangerous at both ends and uncomfortable in the middle.
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Wagon is the bread-earning horse of the Railways. Load it adequately. Make it run and don't stable it.
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Guyal reined his horse and reflected that flowers were rarely cherished by persons of hostile disposition.
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My skirt fell off on stage during a performance of Hairspray on Broadway, revealing my fat suit over my own natural fat suit. I turned to the audience and said, 'Now you know why I spent six years in a square.'
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Memory is quite central for me. Part of it is that I like the actual texture of writing through memory. I like the atmospheres that result if episodes are narrated through the haze of memory.
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I like Barrington Leavey; he's the best, and Toots and The Maytals are also the best.
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The worst thing that can happen to us in an ideological struggle is to become what we are fighting.
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I really like using genre to tell a story about characters but also use it as a Trojan horse to tell social or cultural commentary. That's where the best stuff, especially in the zombie genre, comes out of.
