Jonathan Maberry Quotes
My first book deal was actually for a textbook - 'Judo and You' - that I wrote while teaching at Temple University. A scout for Kendall-Hunt came looking for someone to write the book, and even though it wasn't a course I was teaching there, I agreed to write it.
Quotes to Explore
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I've made up little mantras for myself, catchphrases from a screenwriting book that doesn't exist. One is 'Write the movie you'd pay to go see.' Another is 'Never let a character tell me something that the camera can show me.'
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My favorite book is 'Go Away Big Green Monster.' I wrote it for my granddaughter Adrian, who was in the third grade at the time.
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One half who graduate from college never read another book.
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I must be like the princess who felt the pea through seven mattresses; each book is a pea.
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After 20 years, a million written words, and nine rejected novels, I finally landed a book contract.
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I enjoy it too much - even if I knew I'd never get a book published, I would still write. I enjoy the experience of getting thoughts and ideas and plots and characters organised into this narrative framework.
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I don't read horror, ever. When I was 15, I made the mistake of reading part of 'The Exorcist.' It was the first and last horror book I've ever opened.
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I like to believe, as a writer, that anybody who isn't a reader yet has just not found the right book.
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I have become infected, now that I see how beautifully a book is coming out of all this.
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You have to understand that while I pre-plot the meta story of a given book, I often have no idea of what will happen on the next page, let alone the next chapter. That's what makes it fun for me; I write the books the same way many people read them.
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It's easier to release an ebook than a print book.
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I love writing two narratives! I think concurrent storylines are my favorite way to write a book.
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I think my printing to this day looks like the printing right out of a comic book. Actually, I always wanted to be in a comic book. I watched cartoons when I was a kid, too, and both comics and cartoons lit fire in my imagination. This realm holds a lot of interest for me, a lot of passion for me. So to be comic-ized, yeah, that's cool.
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I adore book-to-film adaptations when they're done well, and I'm more lenient than many readers when it comes to what counts as 'done well.' For me, the most important thing is that the film maintains the spirit of the original book.
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I have two daughters: One an open book, one a locked box. So the question of privacy is a challenging one. How much do kids need? How much should we give? How do we prepare them to live in a world where the very notion of privacy opens a generational chasm?
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I hate to badmouth any book or writer, because I know how it feels to be on the other end of that.
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No two persons ever read the same book.
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The writers who inspire me most are all women: Enid Blyton, Agatha Christie, Margaret Mitchell and Emily and Charlotte Bronte. As for contemporary novels, one of my favourites is 'Everyone Brave is Forgiven' by Chris Cleave. It's the sort of book to read if you've fallen out of love with reading - it reminds you just how brilliant novels can be.
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Especially right after 9/11. Especially when the war in Afghanistan is going on. There was a real sense that you don't get that critical of a government that's leading us in war time.
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Fiction is the study of the human condition under imagined circumstances.
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Not always the fanciest cake that's there Is the best to eat!
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Vanity can apply to both insecurity and egotism. So I distance myself, because I feel everything.
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I don't give concerts, I put on a show.
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My first book deal was actually for a textbook - 'Judo and You' - that I wrote while teaching at Temple University. A scout for Kendall-Hunt came looking for someone to write the book, and even though it wasn't a course I was teaching there, I agreed to write it.
