Jonathan Silverman Quotes
I've had the pleasure of working in the U.K. a few times before. I've shot a few movies there before. One of them was Neil Simon's 'London Suite,' which was based on his play. I also shot a film in Dublin, a little film with Bernadette Peters, called 'Bobbie's Girl.'
Quotes to Explore
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The unlikely combination of potatoes and pasta does appear in some Italian recipes.
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I am a Buddhist.
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I changed that system in Florida when I was the Speaker of the House - I was the Minority Leader; I saw for 16 years the way a power system works.
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Whatever the right hand findeth to do, the left hand carries a watch on its wrist to show how long it takes to do it.
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I wrote The Green Eye of the Little Yellow God in five hours, but I had it all planned out. It isn't poetry and it does not pretend to be, but it does what it sets out to do.
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One thing I've done is surround myself with people who are as good as me or better.
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There will not be a billion-shekel cut to education on my watch.
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I'm always keeping an eye out for a period piece. I was trained in theatre, so most of the things we did were classical - Shakespeare, Moliere, and Chekhov.
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I've banged my head quite a bit. I liked Iron Maiden, Ozzy, AC/DC. And of course, Ratt and Poison.
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My whole plan in my head has always been, if I go a year without acting, it's time to go home; it's time to go back to Montreal.
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I see so many activists... who are artists because they feel that they have the power of communication.
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My music is based on melody and when I play the piano, it's as if I'm singing with them. When you try to transform that into a vocal, there was very little adjustment.
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I have Chinese blood in me... I am not ashamed to admit that perhaps the great leaders of our country all have Chinese blood.
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It's time for a recovery and reassessment of North American thinkers. Marshall McLuhan, Leslie Fiedler and Norman O. Brown are the linked triad I would substitute for Jacques Lacan, Jacques Derrida and Michel Foucault, whose work belongs to ravaged postwar Europe and whose ideas transfer poorly into the Anglo-American tradition.
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In writing lyrics - well, for me, anyway - it's about getting into character, you know? 'Who is writing this?' In the case of the original 'Thick As A Brick,' supposedly a precocious, very young child who's fantasizing about his future and the context of all the confusing elements to which school boys are subjected at that time.
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Every question is a hypothetical question for everyone but the person who asks it.
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Look at Loretta Lynn. Look at Jeannie C. Rily singing 'Harper Valley PTA' and Tammy Wynette singing about divorce. They were ahead of their times in a lot of ways.
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Somebody can become a celebrity for being stupid. That is what it's turned into.
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Byron is one tough guy and he can play through just about anything. I know he will be ready to go on Sunday.
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Everywhere I go, I will make a good payday. But we got to choose the right opponent and the right time and the right venue.
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Kobe had to take some heat for that, as if he was the one who manufactured that (O'Neal) trade. All those things were made to look like there was a scapegoat in this situation, and there wasn't.
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He, O men, is the wisest, who, like Socrates, knows that his wisdom is in truth worth nothing.
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I've had the pleasure of working in the U.K. a few times before. I've shot a few movies there before. One of them was Neil Simon's 'London Suite,' which was based on his play. I also shot a film in Dublin, a little film with Bernadette Peters, called 'Bobbie's Girl.'
