George Murray Quotes
I was writing notes, but not composing poems. The Hunter began to develop out of this fragmented process.
Quotes to Explore
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For a deeper interest in the Moon than I ever felt before.
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As I'm writing, certain things become clear to me and certain things begin to feel right and make sense. The pieces start to fall into place.
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If your writing collides with the conventional wisdom, there's going to be some kind of friction.
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Very often, writing a song is a process that happens to me rather than one that I instigate. I feel a song coming on and, like a sneeze; I wait for it until it comes.
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Writing about a person whose struggle you wish you could solve is an act of compassion and also, frankly, opportunism.
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Personal relationships are usually my biggest inspirations for writing my songs. The best way for me to write a song is to visualise the story in my head, and I start humming a melody, and before you know it, a song is born.
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Writing is a solitary journey, so I am always excited to go out on book tour and meet readers one-on-one.
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I'm quite adept at writing two or sometimes even three stories at once. So if I get stuck on one story, I switch the next and let my subconscious work on unraveling any plot problems from another story.
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From 1999 on - until 2003 - I covered publishing in a weekly column for Wired.com and wrote for several other publications - altogether writing over 150 articles.
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I love writing two narratives! I think concurrent storylines are my favorite way to write a book.
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When I first start writing a song, I usually write the title first, then the song, and I'll sing the song in my head and think of a visual of the song. If I can't think of a visual behind the song, I'll throw the song away.
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I didn't necessarily have a total idea when I was writing the movie of where everything was going. I just wanted to have really realistic dialogue and write like people I knew talked. I tried to keep it very real.
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I have some great stories and I will get around to writing a book.
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I'm a pretty easygoing person, and it bleeds into the music. Even if I'm writing the most personal song, it's not going to come out totally serious; there's always a little tongue in the cheek.
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I associated excellence in writing with New York City.
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You need to get outside of your comfort zone to write songs that are interesting, songs that are compelling, songs that are different from what other people are writing.
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My first seven novels were contemporary spiritual novels, my next nine had strong elements of fantasy, and now I'm writing thrillers, more as a choice to spread my wings than anything. Writers, like good wine, should mature with age.
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This motion-picture muddle had distracted me from my writing.
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I have grown in my writing and I care about it now and I know how important it is to write stuff.
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A thing when I was writing the movie 'The hateful eight' was, I hate The Confederate cause. I've always felt that they are our Nazis and the rebel flag was our swastika. So I totally have no love for that whole romance for that Antebellum time period.
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I chose philosophy because it sounded like something I ought to be interested in. I didn't know anything about it, I didn't even know what it was talking about. What I really spent my time doing in those years was writing short stories. There were all sorts of interesting courses, but what I really wanted to do was make stories one way or another.
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I feel like I am a real artist and I want to be able to feel what I am singing about. So when I sing, 'Leave (Get Out),' I have been through that. I think it is just a new generation, whether people are ready for it or not. Teenagers are dating.
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I'm happiest when I have something to focus my energy on.
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I was writing notes, but not composing poems. The Hunter began to develop out of this fragmented process.
