George Murray Quotes
I was writing notes, but not composing poems. The Hunter began to develop out of this fragmented process.
Quotes to Explore
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For a deeper interest in the Moon than I ever felt before.
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As I'm writing, certain things become clear to me and certain things begin to feel right and make sense. The pieces start to fall into place.
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Very often, writing a song is a process that happens to me rather than one that I instigate. I feel a song coming on and, like a sneeze; I wait for it until it comes.
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Writing about a person whose struggle you wish you could solve is an act of compassion and also, frankly, opportunism.
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Personal relationships are usually my biggest inspirations for writing my songs. The best way for me to write a song is to visualise the story in my head, and I start humming a melody, and before you know it, a song is born.
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Writing is a solitary journey, so I am always excited to go out on book tour and meet readers one-on-one.
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I'm quite adept at writing two or sometimes even three stories at once. So if I get stuck on one story, I switch the next and let my subconscious work on unraveling any plot problems from another story.
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From 1999 on - until 2003 - I covered publishing in a weekly column for Wired.com and wrote for several other publications - altogether writing over 150 articles.
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I love writing two narratives! I think concurrent storylines are my favorite way to write a book.
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When I first start writing a song, I usually write the title first, then the song, and I'll sing the song in my head and think of a visual of the song. If I can't think of a visual behind the song, I'll throw the song away.
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I didn't necessarily have a total idea when I was writing the movie of where everything was going. I just wanted to have really realistic dialogue and write like people I knew talked. I tried to keep it very real.
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I have some great stories and I will get around to writing a book.
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I'm a pretty easygoing person, and it bleeds into the music. Even if I'm writing the most personal song, it's not going to come out totally serious; there's always a little tongue in the cheek.
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I associated excellence in writing with New York City.
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You need to get outside of your comfort zone to write songs that are interesting, songs that are compelling, songs that are different from what other people are writing.
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My first seven novels were contemporary spiritual novels, my next nine had strong elements of fantasy, and now I'm writing thrillers, more as a choice to spread my wings than anything. Writers, like good wine, should mature with age.
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This motion-picture muddle had distracted me from my writing.
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One thing I've had to realize in my career is that I can't do it all. Sometimes we put a lot of pressure on ourselves to make sure we're writing the next hit. There are other people out there, and that's what they do every day, and they have strengths that I don't have.
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Kathy Dewar, my high-school English teacher, introduced me to journalism. From the moment I wrote my first article for the student paper, I convinced myself that having my name in print - writing in English, interviewing Americans - validated my presence here.
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I'm truly an outsider in the poetry world. When I started writing, I was trying to move my poems away from modernist lines.
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I don't think anyone can call a movie like 'I Know What You Did Last Summer' a horror movie. It's a jolt. It's a series of jolts followed by a quick one-liner that's wallpapered with an MTV rock & roll soundtrack. That's not horror to me.
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If African farmers can use improved seeds and better practices to grow more crops and get them to market, then millions of families can earn themselves a better living and a better life.
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I just want to leave a positive memory of setting an example and bringing our youth with us.
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I was writing notes, but not composing poems. The Hunter began to develop out of this fragmented process.
