Damon Lindelof Quotes
I remember what it was like to be doing 'Lost' and how creatively immersive it was. I just couldn't really engage on anything else, other than 'Lost;' I was just thinking about it all the time, and then there was just the pure workload, the 70- or 80-hour weeks.

Quotes to Explore
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A film is made in somebody's head - out of their determination to do it at all.
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When I was about four, people used to walk up to my mom and say I should be in commercials.
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It's the technique, I think, of writing a novel that is difficult for a nonfiction writer.
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I was passionate about soccer. I still am. Odd, though - playing soccer always made me much more anxious than playing tennis. On soccer days, I'd be out of bed by 6 in the morning, all nervous. But I was always calm when it was time for a tennis match. I still don't know why.
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Research programmes, besides their negative heuristic, are also characterized by their positive heuristic.
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I know how to read people. When you grow up in a rough environment, you have to have a sixth sense.
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Thinking about your role will automatically get you in the frame of mind to get your strategy and game plan right before you step onto that field.
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Exposing your ignorance is how you get somebody to embrace you.
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Cliff Stearns talks about what he did to Planned Parenthood, making Solyndra a household name - why didn't he do this sooner? Why didn't he see it coming? It's the oversight committee, not the hindsight committee.
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What I'm very concerned about is how do we bolster our self-awareness as humans, as biological organisms?
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I write the novels that are possible for me to write, not that ones I think will come across in a certain light.
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No two wars are identical.
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Words are also actions, and actions are a kind of words.
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Frugality is founded on the principal that all riches have limits.
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All human beings are also dream beings. Dreaming ties all mankind together.
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How does one endure in a place they shouldn't be condemned to live in? You could take that same question and apply it to any number of neighborhoods in any number of cities.
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Every 20 minutes you've got to have a bump, you've got to have a change in course, you've got to unsettle the audience. It can't be too predictable so something has to happen. I think that was something that Hitchcock did very well too. You couldn't let an audience feel too settled in.
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A song in a musical works best when a character has to sing - when words won't do the trick anymore. The same idea applies to a long speech in a play or a movie or on television. You want to force the character out of a conversational pattern.
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The more I see of men the more I like dogs.
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Bluegrass is really a big part of my background.
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... the fact is it didn't happen in the first month, the first six weeks, in a way that was at all acceptable. And since I'm in charge, obviously, we screwed it up.
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I'm just not built for fairytale surprises.
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Labour was always aligned with the U.S. during the Cold War, but the ignominious implosion of communism reinforced the belief that no alternative to the prevailing common sense was possible.
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I remember what it was like to be doing 'Lost' and how creatively immersive it was. I just couldn't really engage on anything else, other than 'Lost;' I was just thinking about it all the time, and then there was just the pure workload, the 70- or 80-hour weeks.