Damon Lindelof Quotes
I remember what it was like to be doing 'Lost' and how creatively immersive it was. I just couldn't really engage on anything else, other than 'Lost;' I was just thinking about it all the time, and then there was just the pure workload, the 70- or 80-hour weeks.

Quotes to Explore
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A film is made in somebody's head - out of their determination to do it at all.
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When I was about four, people used to walk up to my mom and say I should be in commercials.
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It's the technique, I think, of writing a novel that is difficult for a nonfiction writer.
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I was passionate about soccer. I still am. Odd, though - playing soccer always made me much more anxious than playing tennis. On soccer days, I'd be out of bed by 6 in the morning, all nervous. But I was always calm when it was time for a tennis match. I still don't know why.
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Research programmes, besides their negative heuristic, are also characterized by their positive heuristic.
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I know how to read people. When you grow up in a rough environment, you have to have a sixth sense.
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Thinking about your role will automatically get you in the frame of mind to get your strategy and game plan right before you step onto that field.
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Exposing your ignorance is how you get somebody to embrace you.
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Cliff Stearns talks about what he did to Planned Parenthood, making Solyndra a household name - why didn't he do this sooner? Why didn't he see it coming? It's the oversight committee, not the hindsight committee.
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What I'm very concerned about is how do we bolster our self-awareness as humans, as biological organisms?
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I write the novels that are possible for me to write, not that ones I think will come across in a certain light.
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No two wars are identical.
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Words are also actions, and actions are a kind of words.
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Frugality is founded on the principal that all riches have limits.
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All human beings are also dream beings. Dreaming ties all mankind together.
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How does one endure in a place they shouldn't be condemned to live in? You could take that same question and apply it to any number of neighborhoods in any number of cities.
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Every 20 minutes you've got to have a bump, you've got to have a change in course, you've got to unsettle the audience. It can't be too predictable so something has to happen. I think that was something that Hitchcock did very well too. You couldn't let an audience feel too settled in.
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I am a collaborator with everyone who agrees that I need to be in control. I happily collaborate with my loyalists.
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I have a harder time finding somebody. The problem is we were growing professionally during the years most people were concentrating on being a person.
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I had never written anything. And I had never studied writing. So my motives were pure: I had a great story... a courtroom drama that I sort of fictionalized, and that became 'A Time to Kill.'
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But this time I'm not to blame; I want you to believe that. I simply slipped into those violets. No, I want to be really truthful. I am a little to blame. The sky, you know, was gold, and the ground all blue, and for a moment he looked like some one in a book.
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I think when you're acting, you usually don't have to know too much beyond how to pronounce the words you're saying.
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If you wish to strengthen your confidence in God still more, often recall the loving way in which He has acted toward you, and how mercifully He has tried to bring you out of your sinful life, to break your attachment to the things of earth and draw you to His love.
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I remember what it was like to be doing 'Lost' and how creatively immersive it was. I just couldn't really engage on anything else, other than 'Lost;' I was just thinking about it all the time, and then there was just the pure workload, the 70- or 80-hour weeks.