Jordan Peele Quotes
Each one of my movies is going to be about one of these different social demons. The first one, being 'Get Out,' is about race and neglect and marginalization.

Quotes to Explore
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It is exciting to write about the present once one gets beyond the trivia of the moment. As a time to live in, as a time to think about, the present is intriguing.
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The thing is, if I try to talk about acting, I come off as moaning. But I'm privileged. I think it's all about control. Acting is vulnerable because you're not in control of anything. You have to give up a lot of your trust; it's up to somebody else what they do with what you've given them.
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I feel that I am a scholar who only with the left hand writes novels.
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You only live twice. Once when you are born and once when you look death in the face.
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I never felt a need to manipulate my career from the outside - try to be someone I wasn't to get ahead.
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What role should religion play in the American public school classroom? My own knee-jerk response would be, 'none whatsoever,' but the Constitution isn't quite so direct on the subject.
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If you feel bored or uncomfortable as you're writing, ask yourself what's bothering you and write about that. Sometimes your creative energy is like water in a kinked hose, and before thoughts can flow on the topic at hand, you have to straighten the hose by attending to whatever is preoccupying you.
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Can I eventually take classes and eliminate my accent? Sure. I guess anybody could. But this is who I am, and this is what I got. And there are millions of people who sound just like me. Millions. It's not like this is some novelty.
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Clinton has played a major role in giving companies like Cipla credibility, for which I will always be grateful.
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I think I'm a good judge of character.
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It was a difficult second record. I had moments where I couldn't write; had moments where I was writing lots. It was just a massive learning process for me.
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In 1930, I was at the top of my career. I won the Most Valuable Player award.
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I think as a filmmaker one should make all kinds of films. It is not that one should make only one kind of film. I love to see romantic films; I loved watching 'Dilwale Dulhaniya Le Jayenge,' 'Kuch Kuch Hota Hai.' If I make such films, I will make it with my yardstick, according to my parameters.
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I want to promote the introduction of art history in primary schools and to convince the general public that, even in a period of economic crisis, arts funding is an absolute necessity at the federal, state, and local levels.
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I would argue that the objective evidence shows that big government is not a friend to African Americans.
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That some achieve great success, is proof to all that others can achieve it as well.
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In high school I had B's and C's, not too many A's, but I must have done well on that medical school test, and I must have had some charisma in the interview, so I ended up in medicine. Being a general practitioner was all I aspired to.
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I was for civil unions and believed strongly that the flow of benefits and protections that would be provided in a civil union for same-sex couples, the decisions that have to be made, when health hardships are faced, when economic hardships are faced, I wanted all of those protections. I never strayed from them.
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I don't have television so I don't watch TV.
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In a city like New York, any night can be completely different, even in a subtle way.
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Dance music is like a virus: it has affected so many different genres.
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It's the same with visual arts, you have some really cool, wonderful striking images that make you think and then again you have wonderful striking images that just take you away from the existing world for a second. And I like the latter a bit more.
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I've always wanted to produce. I've had my production company name for years, even though I didn't really do anything with it right away.
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Each one of my movies is going to be about one of these different social demons. The first one, being 'Get Out,' is about race and neglect and marginalization.