Peter Straub Quotes
When, in the third book, we do learn the identity of the Blue Rose murderer, the information comes in a muted, nearly off-hand manner, and the man has died long before.
Quotes to Explore
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When I was, like, 16, I went in to the head of Disney, and I hadn't taken acting class really at all, and I didn't know what I was doing, and it was really embarrassing. Of course, you think Disney wants over-the-top and funny, and I was just trying to be over-the-top and funny, and it just wasn't working, and that was the worst.
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At 21 years old, I could produce 400 people like that.
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I have some girls who I look back on and I think, 'Wow, they were really horrible to me.' I would love an apology from a few girls, but whatever. I'm not holding any grudges. I'm over it.
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Female adolescence is - universally - an emotionally and psychologically intense period.
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We are all murderers and prostitutes - no matter to what culture, society, class, nation one belongs, no matter how normal, moral, or mature, one takes oneself to be.
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I think my parents see my life now as very conservative.
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My first audition was for a commercial for the lottery. I didn't get it, so I hate the lottery.
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I have been known to hang out and party back in the day. I had a weekend that lasted a few years.
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Once you're a Virginian, you're always a Virginian.
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I still have a young attitude.
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I find Los Angeles to be a place of great physical beauty, in which you have the oceans and the mountains, and there's a vertical sense and a desert light that you can see forever.
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I've written a screenplay that is a series of monologues and songs; they form this sort of human tapestry across time and place. The form is strange, but I find it really fascinating.
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The pianist Cecil Taylor is extremely melodic; the guitarist Derek Bailey is extremely melodic, and Ornette Coleman.
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'The Simpsons' money got bigger and bigger. When I left 'The Simpsons', no one thought that this thing was going to still be around. It's the cumulative effect. It's like, 'Oh my God, 25 years later, and it's still coming in.'
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There were mornings in the make-up trailer where I'd have fits of laughter because of the extraordinary daily events of the shoot. Sometimes, it was all too much to believe. But the wildest things happened.
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I have never gotten a B in my life. I would honestly be mortified if I got a B. I'm so academically driven.
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I never really do much research before signing a film. It is just the script and character that I concentrate on.
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I feel lucky to be getting older. The fact that I made it to 30 and then 40 was big enough. So I can't get too down on getting older; otherwise, it kind of undoes everything I've fought for.
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When I go onstage, I want to relieve your mind, your pressures.
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Genius is a promontory jutting out into the infinite.
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I really want to work in a movie with Quentin Tarantino. I think he makes fantastic movies. I love people that create a different reality for the actors to live in.
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In the extraordinary ancestral compost heap of your unconscious mind, I have burrowed too long.
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When, in the third book, we do learn the identity of the Blue Rose murderer, the information comes in a muted, nearly off-hand manner, and the man has died long before.
