Peter Uihlein Quotes
It's the Masters. If that doesn't get you nervous and your juices flowing, I don't know what does.
Quotes to Explore
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Here's the thing: I left Ion Storm and Eidos in the spring of 2004 frankly because I felt out of place at that company.
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While others prayed for the good time coming, I worked for it.
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If you love something - and there are things that I love - you do want more and more and more of it, but that's not the way to produce good work. So as an author, I need to write what I need to write.
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I thought, 'I've been doing this for 16 years professionally. I have a window where I want to play leading parts.'
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I always say that the real success of Wine Library wasn't due to the videos I posted, but to the hours I spent talking to people online afterward, making connections and building relationships.
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When I was a senior, I got accepted into the Julliard School for Dance, but ultimately decided to move to L.A. to act, so that was a fun conversation with the parents. I truly have some of the greatest parents ever.
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To disagree, one doesn't have to be disagreeable.
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Someone asked me the other day what it feels like to see all my 'old stuff' reappearing, at long last, in digital. And I had to smile because to me it doesn't feel like 'old stuff.'
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I'm truly glad I've managed to get the public interested in questions about basic research.
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I'm looking for a bunch of new tchotchkes that represent the new part of my life.
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The beauty of democracy is that an average, random, unremarkable citizen can lead it.
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I'm a wannabe redhead, definitely wannabe Julianne Moore or Jessica Chastain redhead. But I love being a brunette.
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My favorite days were when I had a cold and could stay home from school and draw all day long.
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It's sort of interesting how, when you get older, things that were once so important sort of fall away.
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Our morality is based on so many factors: of where we were born, who we were born to, what values were instilled in us, what values we chose, the way that our lives have shaped us. That dictates so much of what we assume is our morality, and also the culture, all of these things.
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I don't think Pulp Fiction is hard to watch at all.
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I dubbed for 'Nannaku Prematho' because in that film, I was doing a London-based character, and even if some mistake happens with pronunciation, people would excuse it.
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I wore a thong and a bra and a wig. Those things hurt. I mean, thongs? Like, they dig in. It takes a tough man to be a woman.
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Great actors are so easy to direct. It's like they're big 747s that you just have to move left and right, and I don't really need to direct. I need to put them in the right costume, with the right haircut, in the right location, and with the right actor to act with. And then my job is almost done, with a great script, obviously.
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In Men in Black, it was a very small character, no pun intended.
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I discovered that Robert Todd Lincoln was there for each of the first three assassinations. I wanted to write about the Lincoln Memorial, so when I found out he had attended its dedication, that helped focus it further.
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It's the Masters. If that doesn't get you nervous and your juices flowing, I don't know what does.
