Jorge M. Perez Quotes
My father was a businessman, but my mother was an intellectual. She cared about culture, politics, and philosophy, so I became interested in the protest aspect of Latin American art.
Quotes to Explore
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If my love is without sacrifice, it is selfish. Such a love is barter, for there is exchange of love and devotion in return for something. It is conditional love.
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So I feel a responsibility to help first-time film-makers in Brazil, but also to increase the dialogue between film cultures which are really wonderful and so much closer to us than what we do see on our screens.
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My view is pensioners don't have the one option that people of working age have. They can't really increase their income, because they are no longer able to work.
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I don't wear a lot of color because I live in New York, and I'm sort of color-blind, so colors don't match to me a lot of the times, and it makes me anxious. So I'll always defer back to black.
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I love the Wendy Syred boutique in Taunton. She has fantastic off-the-wall stuff, such as Vivienne Westwood. And I always have huge success in Omah Shoes, which is also in Taunton. I've got such small feet - three and a half - but I always find my size there.
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The only difference between the Republican and Democratic parties is the velocities with which their knees hit the floor when corporations knock on their door. That's the only difference.
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In its worse forms, conservatism is a matter of 'I hate strangers and anything that's different.'
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Lester is the Rock of Gibraltar. Nothing can rattle him. I am not. I was always flying off the handle about things. And the one person who could calm me down and make me realize that none of this silliness mattered was Lester Holt.
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Be skeptical of concepts that divorce war from its political nature, particularly those that promise fast, cheap victory through technology.
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It's enough to make a small shift within and a small action in the world. Collectively these have a huge effect.
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I have often thought of it as one of the most barbarous customs in the world, considering us as a civilized and a Christian country, that we deny the advantages of learning to women.
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I don't usually wear a lot of makeup because I tend to like a natural look.
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There are people who are very resourceful, at being remorseful, and who apparently feel that the best way to make friends is to do something terrible and then make amends.
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Everyone should play their role in tearing down the wall of hatred.
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No, I'm not a French designer either. I'm from nowhere. I'm a European, old European is all I am.
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I would probably do anything with David Mamet. He's so great. I just love his writing.
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It used to be that watching a film was a very special occasion, the same way flying was. Before, if you took a flight from New York to L.A., most of the windows would be open. Now, we get on planes and we just close them because we're so used to what it feels like. I think the same thing has happened with cinema.
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I love dressing up for events; to me it's almost like wearing a costume for the evening.
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When I started as a child actor, my father didn't tell me anything.
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Our consumer economy peddles the notions "romantic consumerism" of finding "the one," of being the one. It's the narcissistic enhancement of, "I'm the one you stopped your nomadic life for." It's one thing when you have sex for the first time when you marry, but it's another thing altogether when you stop having sex with others when you marry. So the marital commitment becomes, "I must be really special. With me, you no longer think you can find better next door." Romantic consumerism is thinking you can't find better, younger or newer.
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I have to remind myself that it may never be this good again.
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The valid research for the future is on the inner side, on the spiritual side.
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I have had a fascination with death, I think, that might be considered genetic for a long time. My father had the same affliction, I guess.
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My father was a businessman, but my mother was an intellectual. She cared about culture, politics, and philosophy, so I became interested in the protest aspect of Latin American art.
