Jose Luis Rodriguez Zapatero Quotes
Quotes to Explore
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Any actor wants their movies and their work to be seen. You don't make a movie or get into this profession for your work not to be seen and just to show them to your mates at home.
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I wanted to be a director and producer and writer, but in the early '40's the union wouldn't let you get through the gates. You couldn't get on a crew, or even learn to direct.
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I think every good Christian ought to kick Falwell right in the ass.
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Sometimes I wonder where I am from. I am either way ahead or I come from another world. I don't recognise this world.
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No matter what a woman looks like, if she's confident, she's sexy.
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All the reasons that have made software so successful are beginning to happen with hardware. So much can be done so quickly, prototyped so rapidly, and the costs are so low.
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It is still fashionable to believe that how you organize yourself religiously in this life may matter for eternity. Unless we can erode the prestige of that kind of thinking, we're not going to be able to undermine these divisions in our world.
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One can not impede scientific progress.
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It's good to have to put yourself in someone else's skin. It's all-consuming.
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Most people who get in trouble in politics usually get in trouble because they're disconnected from the people they serve, and I don't think anybody in Tennessee, even people who won't vote for me, would accuse me of that.
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Both my parents are creative. My dad did act when he was younger, but they're both very creative.
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The original and brilliant idea of an MBA was the opportunity for students to study the theory and application of business and management principles.
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I still sing every day - in the shower or on the set all day. I'm sure everyone will tell you that I never shut up. But it's not in the capacity that I would like to.
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The whole scale and scope of the decorating and fashion business in this country are incomparably grander than in London. What's thrilling about America in general, and the New York fashion scene in particular, is its optimism. It makes the whole experience energizing and uplifting.
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I always thought that there was something in hip-hop culture that was the misfit of all the musical styles, where they didn't really belong. They're kind of like, 'No, we're a real culture! We're not going anywhere, you can't get rid of us!' I really liked that there was a rebelliousness about it. I connected with that.
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My work is not my life. I started writing quite late, I didn't have that 'writing is everything, my art is all.' You have to be able to recognise the difference between the two.
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The lowest form of popular culture - lack of information, misinformation, disinformation and a contempt for the truth or the reality of most people's lives - has overrun real journalism.
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Bad language is a stage all children go through, and it dies with time when they learn they're not attracting attention with it, hotheadedness isn't.
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At 21 years old, I could produce 400 people like that.
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When you work on something that combines both the spectacular and the relatable, the hyperreal and the real, it suddenly can become supernatural. The hypothetical and the theoretical can become literal.
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The act of voting by ordinary Iraqis in the face of extreme danger confirms President Bush's belief that people around the globe, when given a chance, will choose liberty and democracy over enslavement and tyranny.
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I would beg the wise and learned fathers [of the church] to consider with all diligence the difference which exists between matters of mere opinion and matters of demonstration.
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In my opinion, patriotism is liberty.
