Joseph Heller Quotes
The body stores the trauma of our lives in muscular rigidity, thereby keeping us stuck in the past. When we release the tension in the body and align ourselves with gravity, we take a new stand in life. This allows us to be at ease with ourselves and in harmony in our relationship to others and to our planet.

Quotes to Explore
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Well, you know, I was through the whole of the Second World War and saw all my friends killed.
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Wit as an instrument of revenge is as infamous as art is as a means of sensual titillation.
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It is the cause, not the death, that makes the martyr.
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'Made in Italy' is from the tycoons of the '80s, not me. It is people who represent an Italy which I don't belong to and I don't feel a part of.
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It's a matter of pride to me to get the film done fast, to get it done well. I understand the need for compromise. There is no such thing as a perfect shot, a perfect film. The purpose of film is not to make a monument to oneself.
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I'm no angel, but I'm no monster, either.
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My choosing Islam was not a political statement; it was a spiritual statement.
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Small Faces were really a soul band as far as we were concerned. That's what we listened to; that's what we played, you know? We were pretty much based on Booker T. and the M.G.'s.
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Even one's own home is a kind of anthology of advertisers, manufacturers, motifs and presentation techniques. There's nothing 'natural' about one's home these days. The furnishings, the fabrics, the furniture, the appliances, the TV, and all the electronic equipment - we're living inside commercials.
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We've arranged a civilization in which most crucial elements profoundly depend on science and technology.
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When I got the role in 'Homeland,' it really opened something up. Other people respected me more as an actor, doors were opened, and I understood for the first time that it wasn't personal. All that rejection wasn't personal.
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Before going on 'X Factor' again, I felt like I'd tried everything else.
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Sometime they'll give a war and nobody will come.
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I have a few homes, and Los Angeles is certainly one of them.
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People tend to think of fairy tales as 'archetypal.' They are also extremely sensual, something which translates well over the ages.
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I've always said the rubber duck is a yellow catalyst.
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It is absurd to look for perfection.
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For some reason, people look at me and laugh. I don't know why.
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As an attorney, I could be rather flamboyant in court. I did not act as though I were a black man in a white man's court, but as if everyone else - white and black - was a guest in my court. When trying a case, I often made sweeping gestures and used high-flown language.
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Armed people are free. No state can control those who have the machinery and the will to resist, no mob can take their liberty and property. And no 220 pound thug can threaten the well-being or dignity of a 110 pound woman who has two pounds of iron to even things out. Is that evil? Is that wrong?
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When I say I hate nostalgia, I hate things set in the recent past where everything is shiny and new.
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In the West the past is like a dead animal. It is a carcass picked at by the flies that call themselves historians and biographers. But in my culture the past lives. My people feel this way in part because death does not separate us from our ancestors.
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The body stores the trauma of our lives in muscular rigidity, thereby keeping us stuck in the past. When we release the tension in the body and align ourselves with gravity, we take a new stand in life. This allows us to be at ease with ourselves and in harmony in our relationship to others and to our planet.