Oscar Wilde Quotes
Every portrait that is painted with feeling is a portrait of the artist, not of the sitter. The sitter is merely the accident, the occasion. It is not he who is revealed by the painter; it is rather the painter who, on the coloured canvas, reveals himself.
Quotes to Explore
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Every time I see an adult on a bicycle, I no longer despair for the future of the human race.
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When I was in college, I studied business because I thought I wanted to be a director and producer.
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I was fortunate enough to visit a lot of beautiful places around the world. The most astonishing and memorable experiences were my trips to Africa and Australia.
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The Iraqis are not threatened by the Turks or by the Iranians or by the Saudis and they tell me that these are not weapons of mass destruction, they are weapons of self-destruction.
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Don't be too proud to take lessons. I'm not.
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I love singing. It's who I am. When I act, I take a small part of myself and just magnify it, but when I'm singing, that's who I am. I don't write music, so I choose songs that I would have written.
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The market for local advertising is in the billions.
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Women can stand a beating except when it is with their own weapons.
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I think democracy is on the decline in the West. Ruling parties are the same: neo-liberalism at home and wars abroad.
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As a European I had fit in almost seamlessly in New York for the last 25 years, but in Oklahoma I stood out like a sore thumb.
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Democracy requires common ground on which all can stand, but that ground is sinking beneath our feet, and democracy may be going down the sinkhole with it.
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When people laugh at Mickey Mouse, it's because he's so human; and that is the secret of his popularity.
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I think confidence does come with time, and I've been really surprised by that, actually.
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I actually started out as a poet in high school. I published in small literary magazines for probably about ten years. I entered the Yale Younger Poet contest every year, until I was too old to be a younger poet, and I never got more than a form rejection letter from them.
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The Toast's audience is about 30-35 percent male, which shocked me because I would say that we actively try to discourage men from reading our site. Apparently, there's not insignificant number of dudes out there who think that what we are doing is okay.
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I certainly love doing comedy and feel most comfortable near it.
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PG-13 horror, I just don't watch that.
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As far as expectations go, you can never work for expectations. You have to work against them.
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Every man I meet wants to protect me. I can't figure out what from.
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When you're shooting you go to references in your mind. You think about how you should stand in these particular clothes, or how you should move. You think about the different characters you're playing, really.
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Translation from one language to another is like viewing a piece of tapestry on the wrong side where though the figures are distinguishable yet there are so many ends and threads that the beauty and exactness of the work is obscured.
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He had chosen to spend his days in the world of men. Life was what mattered, its slow, priceless pulse, its burning fragility; his debt lay with those importunate Flanders echoes that had never really left him. The private could aspire to be a general because both general and private, at their best, recognized the dire importance of strategy, fortitude, the value of their imperiled existence; but when the machinist became the executive he left the world of tangibles and human conjugacy and entered a shadow world of credits and consols - a world that seemed to reward nothing so much as irresponsibility and boundless greed. And when the thunder rolled down upon them - as he knew it would - how would he feel, playing with paper, striving to outwit his fellows, drinking imported Scotch evenings and listening to the brittle parade of comedians on radio ...?
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Every portrait that is painted with feeling is a portrait of the artist, not of the sitter. The sitter is merely the accident, the occasion. It is not he who is revealed by the painter; it is rather the painter who, on the coloured canvas, reveals himself.
