Oscar Wilde Quotes
We become lovers when we see Romeo and Juliet, and Hamlet makes us students. The blood of Duncan is upon our hands, with Timon werage against the world, and when Lear wanders out upon the heath the terror of madness touches us. Ours is the white sinlessness of Desdemona, and ours, also, the sin of Iago.
Quotes to Explore
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I want to be an animated character. I'm also doing more writing and directing.
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If I categorized home runs that I've seen, without a doubt the monumental one is Henry's... but I've seen a lot of classic, great home runs. Gibson's was probably the most theatrical home run I've ever seen.
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I am happy with all the films I've done. I have not become the victim of an image. I have managed to do different roles, and I am proud of that.
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My work was entirely nonfiction.
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I firmly believe that any good journalist must essentially be temperamentally an outsider. I don't think full sense of belonging and security is conducive to creativity.
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If you've followed my career at all, you will know that I perform best in comfortable surroundings. Though other leagues may seem more enticing to other players, it's something I'm just not interested in doing personally.
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When you fall in love, you become weak.
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I don't want to say anything because I know I am unable to protect you from the harm that I see.
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If I do something caring for a friend, I have no doubt in my mind they would do it for me.
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I used to sail a lot in all kinds of weather, competing on small sailboats in the ocean. And I travel a lot in Iceland on horses every summer, through the wild areas where there's no inhabitants and there are volcanoes.
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I have this really high priority on happiness and finding something to be happy about.
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You have to take over your town in order to take over your city.
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I played violin and got into that Suzuki program in the second grade.
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I've written a screenplay that is a series of monologues and songs; they form this sort of human tapestry across time and place. The form is strange, but I find it really fascinating.
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In reality, I've always been an actor - since I was a kid. I did theater growing up in New York. I was always in the plays in school. I was either going to be an actor or an athlete or a soldier. Those were kind of the three paths that I always kind of embarked on.
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The film business creates a large amount of waste, and I'm not immune to waste in the business.
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I happen to dig being able to use whatever mystique I have to further the idea of peace.
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I have little routines in the theater. Once I've established something, like the order of putting on makeup and a costume, I have to invariably do it in the same order every time, even if I only did it by chance the first time round.
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I come from a background of hiding everything behind a computer.
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Luckily, many other people tell me how they have had a particular landscape photograph of mine in their office or bedroom for 15 years and it always speaks to them strongly whenever they see it.
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I want to have a resume that is substantial enough to hold itself as respectful.
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In America, they have this nauseating habit of calling the conductor 'maestro'. I always slightly gag when the cor anglais player goes, 'Maestro, can I discuss bar 19 with you?'
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The danger of crippling thought, the danger of obstructing the formation of the public mind by specially suppressing ... representations is far greater than any real danger that there is from such representations.
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We become lovers when we see Romeo and Juliet, and Hamlet makes us students. The blood of Duncan is upon our hands, with Timon werage against the world, and when Lear wanders out upon the heath the terror of madness touches us. Ours is the white sinlessness of Desdemona, and ours, also, the sin of Iago.
