Phil Daniels Quotes
When I was a kid doing television, they'd stick a leather jacket on me, and I would be the thug.
Quotes to Explore
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It's hard to find an emblem of cultural, national pride that burns as bright as Israel's success in classical music.
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Woodstock had a tremendous impact on American artistic life.
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When I was about four, people used to walk up to my mom and say I should be in commercials.
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I really enjoy dancing. When there's music around, I can't help it; I start dancing, especially when I'm with friends.
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Balance is key in cooking - you want a little acid, a little sweet, a little savory - the flavors should be harmonious.
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I love rap because it talks about pain that comes authentically from the ghetto. It moves me.
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When I played Robert Howard in 'The Whole Wide World', I was struggling with it. There's this dual thing where you feel real good about being able to play this juicy part, and then there's constant shame: 'Who am I to pretend to know who this guy was? Who am I to represent this guy for people who never knew him?'
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Instead of building walls, we should be building bridges.
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I don't think that I ever believed that poetry would be a career. I have always thought of poems as something more private than professional... I would never introduce myself as a poet. I will always have some other thing that I am.
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The love story for me was the nature of the love and not the age of the lovers.
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Each person feels that he is an 'expert' in one or two fields and just the 'public' in all the others. But you know, probably, from experience that no one is really able to appreciate any display of ability in any field if he himself has not, to a certain degree, taken part in its problems and difficulties at some time.
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I like the dark undertow of grime, and it gets me aggressive. You need that aggression.
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Cornwall has lots of folk and Celtic music and has that kind of surfer vibe as well. That was my kind of upbringing.
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Look good, feel good, play good.
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I sort of understood that when I first started: that you shouldn't repeat a success. Very often you're going to, and maybe the first time you do, it works. And you love it. But then you're trapped.
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I make the music my ears want to hear, I wear the clothes my body wants to wear and the ones boys call me back for, and I generally make the songs that my feet dance to.
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Non-violence and truth are inseparable and presuppose one another.
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I began working with the John Muir Institute and then started helping found Friends of the Earth organizations here and there in other countries. That pretty well brings us up to the present.
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Philippians 1:21 is very special to me because it helps to keep my life centered.
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I hate to say there are female and male ways of dealing with power, because I think each of us has a male and a female part. But based on my own experience, women will tend to be inclusive, to reach out more, to care a little more.
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I starred in a Broadway play that was Sidney Poitier's first directing job and the cast was Lou Gossett, Cicely Tyson, Diana Ladd and I played a Jewish kid who offered himself as a slave to two Columbia University students as reparations.
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This is no time to act like a gentleman. I am a cad and shall react like one.
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When I was a kid doing television, they'd stick a leather jacket on me, and I would be the thug.
