Phil Daniels Quotes
My acting career began when I walked into a drama school class run by Anna Scher in Islington. Anna discovered a lot of people: Linda Robson, Pauline Quirke, Gary and Martin Kemp, and Dexter Fletcher were among my contemporaries.
Quotes to Explore
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In my opinion, all relationships between people have some sort of violence, and it is central.
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In France, successive waves of Gaul, Visigoth, and Frank have swept over the land and have dominated it. But the fair hair and blue eyes and the clear skin of the conquering races have been submerged by the rising and overflow of the dusky blood of the original population.
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My friends in the TV news business are in a state of despair about Donald Trump, even as their bosses in the boardroom are giddy over what he's doing for their once sagging ratings.
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I have Dalinian thought: the one thing the world will never have enough of is the outrageous.
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I don't necessarily think that installation is the only way to go. It's just a label for certain kinds of arrangements.
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The actors that I admire are able to step into so many different roles.
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I don't talk about political matters. That's not my department.
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I don't stop at my past; I like new work. I like what I'm doing tomorrow.
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When my children say, 'In the future, Mummy, will things get better or worse for humanity?' I say: 'Who knows, since Amy Winehouse died. It's all in the air now. Eat your broccoli.'
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I hated my big hair. I always wore it straight.
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Not owning a car anymore, I feel like I'm barely an American. I miss it. And I barely ever get to listen to the radio in the car, which is the best place for radio.
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The future lies in designing and selling computers that people don't realize are computers at all.
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When I was young I had an apprenticeship as an engineer.
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When I see old photos of me on the beach I don't look too bad... but it's hard trying to breathe in for such a long time when I spot the photographers!
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It's important to see how people see your work and how they feel about it. I know a lot of directors who are like, 'I never read reviews,' and I'm like, 'Yeah I can tell.'
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Some people try to get very philosophical and cerebral about what they're trying to say with jazz. You don't need any prologues, you just play.
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If you think that your child is going to be really sensitive to the fact that they might not win - which they probably won't - you shouldn't do it because it's not healthy if they get the feeling that they're not good enough or they're not worthy.
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My workout is ballet class and rehearsal - I've never belonged to a gym.
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I read, read enormously on all different fields of Islamic thought, from philosophy to Islamic literature, poetry, exegeses, knowledge of the Hadith, the teachings of the prophet. That's how I trained myself. And then I was appointed imam by a Sufi master from Istanbul, Turkey.
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Admittedly, it is really our duty, as artists, to hold up a mirror to our own era; but, on the other hand, these works have lives of their own, and they're still alive today.
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All observers not laboring under hallucinations of the senses are agreed, or can be made to agree, about facts of sensible experience, through evidence toward which the intellect is merely passive, and over which the individual will and character have no control.
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I think you need to understand games to write them. There's a learning curve, just like there's a learning curve in anything. It's not precisely the same as film or television, but you're using the same muscles.
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I don’t see myself as a dissident artist. I see them as a dissident government!
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My acting career began when I walked into a drama school class run by Anna Scher in Islington. Anna discovered a lot of people: Linda Robson, Pauline Quirke, Gary and Martin Kemp, and Dexter Fletcher were among my contemporaries.
