Josh Gad Quotes
I think “The Book of Mormon” has made that difference in its field. It changed the game. It’s something that 20 years from now people will still be talking about, hopefully. That’s my goal as an artist, as a creator, as a work for hire, is to choose projects that make people think, make people talk, and make people interested in having a dialogue.
Quotes to Explore
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Suffering turns men towards their creator.
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My generation of bossy, confident, baby-boom women were something brand new in history. Our energy and assertiveness weren't created by Betty Friedan, unknown before her 1963 book, or by Gloria Steinem, whose political activism, as even the Lifetime profile admitted, did not begin until 1969.
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I think the line is where you're in the studio, you're creating. That belongs to you as an artist. Nothing should taint that. I shouldn't be thinking about what the fans want, I shouldn't be thinking about what the radio wants, what the label wants, what your manager wants, a song for the chicks, a song for the street.
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I'm not going to break up my family, not for a book.
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For me, the whole process involves envisioning this book in my head as I'm working.
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I'm not expecting the American literary community to welcome me with open arms. To them I'm just some schmuck kid who wrote some book.
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I think my printing to this day looks like the printing right out of a comic book. Actually, I always wanted to be in a comic book. I watched cartoons when I was a kid, too, and both comics and cartoons lit fire in my imagination. This realm holds a lot of interest for me, a lot of passion for me. So to be comic-ized, yeah, that's cool.
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A person who publishes a book willfully appears before the populace with his pants down. If it is a good book nothing can hurt him. If it is a bad book nothing can help him.
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Oh I'm a huge comic book movie fan.
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We may never be strong enough to be entirely nonviolent in thought, word and deed. But we must keep nonviolence as our goal and make strong progress towards it.
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By its very nature, hard-line ideology is self-serving and self-perpetuating; its primary goal is to survive - and that precludes everything.
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My synesthesia is mostly gone - it was a much bigger factor when I was a kid. But having no depth perception is a bonus when you're trying to lay out flat images and describe them to an artist - flat is all I see.
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What I love about Popsicle and the moments I can be with Camden is that their whole philosophy is family and these moments that it can create to just sit with my son, read a comic book or go outside on a hot day, take a swim and have a Popsicle treat with him.
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I feel good not just physically but as a person because I know I accomplished my goal, which everybody said I couldn't do in Venezuela.
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To be a truly conscientious artist, you have to look at what's not working and challenge it. You riff on things.
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I don't think you should categorize yourself as an artist.
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You don't have a soul; you are your own soul. In other words, you are not this book, your social security card, your body, or your mind. You are you.
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The roots of rap are originally ghetto-ised or extremely working class. So when you're an artist who's making something which isn't how its mainstream appearance should be, there's always these strange questions of authenticity and what you have to do to be 'real' as a rapper.
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I'm really troubled by the prevalence of single-sport specializations. I want my kids to do as many things for as long as they can. Specialization is a natural thing that should come later - it shouldn't come for 8-year-olds.
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Lysander said that the law spoke too softly to be heard in such a noise of war.
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I did not want to get involved with a rock star. No way. It is not a sane thing to do.
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It helps me when I help people.
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Nature's kind of clever, because it figured out millions of years ago that if you grow these fibers below a critical size, even if you have flaws in the material, it doesn't affect the strength.
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I think “The Book of Mormon” has made that difference in its field. It changed the game. It’s something that 20 years from now people will still be talking about, hopefully. That’s my goal as an artist, as a creator, as a work for hire, is to choose projects that make people think, make people talk, and make people interested in having a dialogue.
