Paul Stanley (Stanley Bert Eisen) Quotes
Don't kid yourself; the guy who's onstage in ripped-up jeans is wearing as much a costume as I am.
Quotes to Explore
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I had a pretty bad time when I was an undergraduate at Cornell University. I failed out of school. I was much, much heavier.
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I know Dark Phoenix is a huge part of the X-Men saga, so I'm assuming they're at least going to want to touch on it, but I don't know and I don't know whether I would want to be involved. That depends on many different things.
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My earliest memories of rap music was mixed with my earliest memories of reggae music. They were big sounds around the way, heavy bass lines, strong messages, definitely.
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I've always been a person who's been true to myself and true to others, and I'm not afraid to be honest.
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Acting offers me an outlet. Here is the perfect opportunity to spend fleeting moments becoming an entirely different person; to experience a character entirely unlike myself, but to also make such a character a part of me. There is no routine here; there is no boredom.
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I've had my run in with trouble. Fortunately, you know, one slap on the hand is usually the last time for me... I learned my lesson.
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I just grew up watching a lot of movies. I'm attracted to this genre and that genre, this type of story, and that type of story. As I watch movies I make some version of it in my head that isn't quite what I'm seeing - taking the things I like and mixing them with stuff I've never seen before.
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I can't see myself just endlessly singing the same songs over and over again.
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Russia can be quite a dangerous place sometimes, but I never think about it.
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I've never had any desire to be good. I don't like goodness particularly.
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However we can spread love and progression, we've got to do it.
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Something about 'Battlestar' that I didn't realize when I took the job was this whole bubble aspect of closing people in and seeing what they do.
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I know politics; I know the media.
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Yidaki didgeridoo has been used in every part of Australian regional culture, all around the country. It's become a message stick for the survival of those people, for aboriginal people and aboriginal culture.
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I am so excited to extend myself behind the scenes as a designer and to - as my father puts it - finally have a real job.
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I think that our comfort is in our history.
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My first manager, Suzanne DeWalt, saw a play I was in. She was invited by the director Joan Scheckel, who was my first real acting teacher. Joan was also good friends with my friend Susie Landau Finch, who had first encouraged me to consider acting, so that's how I began studying.
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It takes a little bit more mentally to figure out what I need to do to be most effective. The game is ever evolving. So you have to constantly pay attention to the change because you don't want to be left behind.
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The men and women who serve this great nation, whether they are stationed in Iraq, Fort Riley, or the Korean Peninsula, or they serve us at home as our community first responders, serve because they believe in America.
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I no longer merely confess that I am the righteousness of Christ. I realize that with His DNA in me through His blood, I could be nothing else. I realize the attributes of His DNA reside in me - whether dormant or active.
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One of the peculiar sins of the twentieth century which we've developed to a very high level is the sin of credulity. It has been said that when human beings stop believing in God they believe in nothing. The truth is much worse: they believe in anything.
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I was made fun of a lot in middle school. When I was in seventh grade, the popular kids paid the most popular guy to ask me out.
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I didn't live far from where Leopold and Loeb lived on Chicago's South Side, so I had heard about them as a kid.
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Don't kid yourself; the guy who's onstage in ripped-up jeans is wearing as much a costume as I am.
