Patrick Cox Quotes
Quotes to Explore
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I've fallen victim to worrying about what everybody thinks. It's never going to be that everyone is happy. You just gotta know what you like and go with it.
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My view is that innovation has declined in the everyday processes that businesses tinker with incrementally as they try to become more productive over time.
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People who live in glass houses... have to answer the door.
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Dormer by name, Dormer by nature: I love to sleep.
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I look good. I feel good and not to sound conceited I sound great.
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While studying at Barcelona, Ignatius was in doubt whether, after completing his studies, he should enter some Religious Order, or go from place to place, according to his custom. He decided to enter upon the religious life.
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I think it is the responsibility of a citizen of any country to say what he thinks.
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In general, I think comedy is more difficult to write, to direct, and to act successfully.
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People say, 'Do you ever miss being a normal teenager?'
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Growing up, my imagined life as a musician was something along the lines of me lounging in a Learjet en route to a swelling outdoor amphitheatre on a dazzling summer's eve.
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Technology determines the possibilities of society. It doesn't matter whether you start out from a fascist state or a communist state or a free-market state.
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I was a big 'Blue Valentine' fan. I really loved that movie. And I thought the performances were just unbelievably real, which is certainly what I always strive for in my work.
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I think we have too much history. It’s not so important. I think people should have fun and enjoy their own time. I haven’t done much, so why should I waste people’s memory?'
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I'm very close to thinking the United States shouldn't be in Basel any more. I would not have agreed to rules that are blatantly anti-American. Our regulators should go there and say, 'If it's not in the interests of the United States, we're not doing it.'
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I've always just had sort of a dark take on life, I suppose, and hopefully, the music transcends that in a way.
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A lot of young actors look up to me, and I wouldn't trade that for any money in the world. I don't want to lose their respect and be a hypocrite.
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I run year-round and then ramp up my training for a race a few months before.
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I don't practice or write stuff down - everything I do onstage was just made up before I went on.
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Physically it's kind of lassitude, the apathy and tiredness that precedes the flu or some other illness, or death. My legs ache and feel heavy, my skin has become more sensitive to cold and to heat, to the hardness or rigidity of things. Nothing interests me, I feel uncomfortable being still but would feel even more uncomfortable if I moved. I don't know whether speaking is painful or just boring. I sit here, staring straight ahead, with no desires, no needs, hollow. I'm not even sad. I feel only passivity and indifference.
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The bigger problem still is that it determines in many ways what movies get made in the first place. Because as sources of finance are considering a project, they ask themselves, "Does this lend itself to a simplistic marketing approach which will guarantee a big opening weekend?" As a movie-goer, I think that's tragic, because when you look back at those movies that made us fall in love with movies in the first place, most of them were not high-concept, and most of them would not have "won their weekend."
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I've said it before and can only repeat that I owe everything to Boudin and I attribute my success to him. I came to be fascinated by his studies, the products of what I call instantaneity.
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It is never too late to turn from the errors of our ways: He who repents of his sins is almost innocent.
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Acting makes me feel broke again, it makes me feel unaccomplished.
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My inspiration for interior design is more historical than traditional.
