Patrick Cox Quotes
Quotes to Explore
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I've fallen victim to worrying about what everybody thinks. It's never going to be that everyone is happy. You just gotta know what you like and go with it.
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My view is that innovation has declined in the everyday processes that businesses tinker with incrementally as they try to become more productive over time.
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People who live in glass houses... have to answer the door.
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Dormer by name, Dormer by nature: I love to sleep.
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I look good. I feel good and not to sound conceited I sound great.
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While studying at Barcelona, Ignatius was in doubt whether, after completing his studies, he should enter some Religious Order, or go from place to place, according to his custom. He decided to enter upon the religious life.
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I think it is the responsibility of a citizen of any country to say what he thinks.
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In general, I think comedy is more difficult to write, to direct, and to act successfully.
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People say, 'Do you ever miss being a normal teenager?'
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Growing up, my imagined life as a musician was something along the lines of me lounging in a Learjet en route to a swelling outdoor amphitheatre on a dazzling summer's eve.
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I was a big 'Blue Valentine' fan. I really loved that movie. And I thought the performances were just unbelievably real, which is certainly what I always strive for in my work.
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I think we have too much history. It’s not so important. I think people should have fun and enjoy their own time. I haven’t done much, so why should I waste people’s memory?'
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I'm very close to thinking the United States shouldn't be in Basel any more. I would not have agreed to rules that are blatantly anti-American. Our regulators should go there and say, 'If it's not in the interests of the United States, we're not doing it.'
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I've always just had sort of a dark take on life, I suppose, and hopefully, the music transcends that in a way.
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A lot of young actors look up to me, and I wouldn't trade that for any money in the world. I don't want to lose their respect and be a hypocrite.
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I run year-round and then ramp up my training for a race a few months before.
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I don't practice or write stuff down - everything I do onstage was just made up before I went on.
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I think when you take away all, like, the premieres and press stuff and all the special effects, then you just come down to the fact that it's all about acting, and I think that has been the best bit for me.
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It's hard to start from the bottom.
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I love my co-hosts and the crew at 'The Talk.'
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Feelings are facts. Look straight at 'em and deal with 'em. Work it through, as honestly as you can. If God is anything like a middle-class white chick from the suburbs, which I admit is a long shot, it's what you do about what you feel that matters.
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You never compromise with violence. You never compromise with intimidation. You never compromise by those who want to use those to extinguish freedom and democracy, because if you do then the very things for which you stand are extinguished.
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I've worked a lot of historical stuff back in Sweden and there's always conflict with horses. I get a bit paranoid when I'm on them, and they can sense that and they get a bit paranoid. It ends up in this bad spiral where I don't want to be on them, and they don't want me on their backs.
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My inspiration for interior design is more historical than traditional.
