Melissa Manchester Quotes
A Grammy is a wonderful thing; all of a sudden you're given a new audience but, like anything, you have to be able to grow with these songs if you really want a long artistic career.
Quotes to Explore
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When you're in a songwriting class, and you write a song, and you hand it in to a teacher to grade, I'm still going to say that it's a really awesome song whether I got an A or a D. I learned to stick to my guns and take the tools as tools and not as rules.
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Love is a wonderful thing that one misses.
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My first songs were about animals and shoes. I wrote one song about PF Flyers, and one to my fish.
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Like, when I write a song, the song comes first before production. Everything is written on an acoustic guitar so you can strip away everything from it and have it be equally as entertaining and good without the bells and whistles.
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As wonderful as being on stage is, family comes first.
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It usually takes me 20 to 90 minutes to write a song because once I start, I don't stop. If I start writing a song, and you try to have a conversation with me, you're a bad person.
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There are few cases in which mere popularity should be considered a proper test of merit; but the case of song-writing is, I think, one of the few.
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I did a song in eight minutes. I thought everybody could write songs that fast. But working with a lot of them, they don't.
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I've been doing this career for a really long time, but there was not a lot of reason, at the time when I wrote 'Fight Song,' to believe that I should keep going.
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I don't like giving names to generations. It's like trying to read the song title on a record that's spinning.
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If you can make the song a soundtrack to what you're living at the time, I think that's the most important part of a song.
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The one album I can't live without is called 'Cumbolo' by a band called Culture. Every song on their album is deep, but there's one in particular called 'This Train.' I have a tattoo of the lyrics on my left arm.
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We wanted to write a whole song about partying and then taking Yellow Cabs home. That's the weirdest topic we've ever thought of centering a song around.
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Once I come up with the concept, the rest of the song just comes.
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I can't just sit down and make a song in a day. It's only possible if you focus on the music and not the sound.
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And since discriminating fans can pick and choose exactly what they want to buy, artists and their labels are more conscious than they've ever been of making sure that every song on a new album is as good as can be.
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With a track like 'White Christmas,' everybody has done that song in every format you can imagine, so I just looked at the chords at that particular song and what chords would make it work. That's kind of quite a sad song, and I had this idea of someone singing it in the subway, someone who is homeless, old and sad.
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When making the first album, I think I wrote a song about every six months. The first album was so much about the vocals carrying it.
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The main song I listened to with the 'Firebird' books was 'Breath of Life' by Florence + the Machine.
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My family was musical on both sides. My father’s family had a famous flautist and a classical pianist. My mother won a contest to be Shirley Temple’s double — she was the diva of the family. At 8, I learned how to play guitar. I used to play songs from the ‘20s, ‘30s and ‘40s in the kitchen for my grandmother.
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My father has been the real anchor of the family. He's the one who has always encouraged my mother, my brother and me.
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I have been surfing since I was six years old.
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A Grammy is a wonderful thing; all of a sudden you're given a new audience but, like anything, you have to be able to grow with these songs if you really want a long artistic career.
