Francis Alys Quotes
What I can't tell with a photo I will tell with a painting, and what I can't tell with a painting I will tell with a video or text sometimes, et cetera.
Quotes to Explore
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I'm a very good thinker, but I sometimes grab the wrong word. I say something I didn't think through adequately. I mean, I don't type my speeches, then sit up there and read them off the teleprompter, you know. I wing it.
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In a movie, you're raw material, just a hue of some color and the director makes the painting.
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I think that when somebody loses a bet, they tend to sometimes confuse their motives in rooting and enjoying the game because if you lose your bet, even though the team you're rooting for wins, you have a potentially conflicted outcome.
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Sometimes you've got to know when it's time to leave the party.
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Through a painting we can see the whole world.
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I'm probably the most militant person you'll ever meet and I speak my mind without provocation sometimes.
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Life is painting a picture, not doing a sum.
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Sometimes I know a joke I'm going to yell out ahead of time, but most of the time it's stream of conscious. You never really know it until you've got everyone dressed up, the set is built, all the extras are here.
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Sometimes it is claimed by those who argue that race is just a social construct that the human genome project shows that because people share roughly 99% of their genes in common, that there are no races. This is silly.
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The secrecy thing has gotten to be more and more prevalent in films, and maybe that's good. It's nice to go see a film and not know anything about it. Sometimes I feel like we know too much about films.
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I'm not particularly interested in painting, per se. I'm interested in a painting that has that mysterious life to it. Anything that doesn't partake of that magic is halfway dead - it returns to its physical elements, it's just paint and canvas.
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He drove his kind of realism at me so hard I bounced right into nonobjective painting.
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In South Africa, we speak English and sometimes Afrikaans, sometimes Zulu, sometimes Xhosa.
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I'm somebody who doesn't feel the need to be in the driver's seat all the time. I appreciate the perspective of being in the passenger's seat sometimes, and I feel fortunate for that because I've learned a lot from that perspective.
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Before anything else, I started painting bulls and matadors. That was my initiation to paint.
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It's easy to focus on the things that divide us. Sometimes too easy.
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Now, I love painting. I love looking. I love the fact that they don't move. They constantly change with the light. They are sort of patient.
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I sometimes wonder whether all pleasures are not substitutes for joy.
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There's something really cool about taking oily coloured paste and pushing it around with these hairy sticks and making something that looks like you. That's the magic of painting.
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I love Inuit art, and most anything you would find in a folk art museum, as well as children's art or children's book illustrators or illustrators in general - all the kinds of work that my paintings would draw comparisons to.
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I have never been worried about the future. I will always be able to drive my own feet.
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One of my favorite ways to find fictional inspiration, by the way, is to browse historical timelines. I also like world atlases - any country with a squiggly coastline seems to inspire me, as do visual dictionaries, those reclusive creatures of the reference shelf.
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I keep my heart and my soul and my spirit open to miracles.
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What I can't tell with a photo I will tell with a painting, and what I can't tell with a painting I will tell with a video or text sometimes, et cetera.
