Francis Alys Quotes
I am interested in seeing how a certain situation can develop with potential accidents. First, I am inspired by the acts of potential collaborators. It tends to be an action they have already done in a different context. I am very clear about the rules of the game, but once it's launched, I don't intervene at all.
Quotes to Explore
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What is more important? What the members of a politicised tribunal say, or what the citizens vote for? For me, it is clear.
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The world is always in movement.
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I think I was lucky I got into art college. That's what saved me.
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The Backstreet Boys were so ten years ago. Whatever.
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I'm getting better, happier, and nicer as I grow older, so I would be terrific in a couple of hundred years time.
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I almost bought a DeLorean the other day just because. If I see something that I think is cool and I like it, I'll go for it.
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In fact I enjoyed every minute of my life at King's, especially the discovery of French and German literature.
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The heart of Univision – and what we do – is here in Miami.
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These rejections hurt me terribly because I felt it was my life that was being rejected.
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The situation in the West Bank and Gaza involves a military occupation amid urban guerrilla warfare, analogous to the British security measures in Northern Island, that hopefully will end with a cease-fire.
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A good fight scene is really a good love scene.
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Having been on a private jet only two or three times, it's one of life's great luxuries.
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When we make progress and get better at something, it is inherently motivating. In order for people to make progress, they have to get feedback and information on how they're doing.
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A hatred of failure has always been part of my nature.
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Leaving Interscope was not a personal thing. These record companies are a certain kind of machine, and we weren't able to function in it.
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I wanted to write about school because most of my audience at the particular time was of a school element.
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You can go ahead and break a law, and you can come to a sanctuary city, and they wouldn't enforce the laws.
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If I have an audience, I'd like to make music for my whole life. But it's not really up to me.
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The only reason I would write a sequel is if I were struck by an idea that I felt to be equal to the original. Too many sequels diminish the original.
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Tell me one director who will go on record to say that I don't get along with them? I get along famously with all my directors because I am what I am today because of them.
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I've always been able to make choices that don't embarrass me.
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I would never assume to tell another actor how to do his job!
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So maybe lightning will strike before lightning strikes me.
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I am interested in seeing how a certain situation can develop with potential accidents. First, I am inspired by the acts of potential collaborators. It tends to be an action they have already done in a different context. I am very clear about the rules of the game, but once it's launched, I don't intervene at all.
