Garth Ennis Quotes
With a mini series you can give the story a proper sense of pacing, a proper sense of closure.

Quotes to Explore
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Remember who you are and where you come from; otherwise, you don't know where you are going.
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It's very hard to be an innovator at the highest level in any discipline. For some chefs it's merely about combining ingredients, but that's something you can do with your eyes closed.
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You've got to be taught to hate and fear.
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You either are or you're not.
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When life knocks you down, keep getting up.
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Mental health is seen as a massive drag to have to write about - worthy, dull. Something you should 'have' to read / write about.
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If you're going on a plane journey, you're more likely to take one of my stories than 'Finnegan's Wake.'
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The first thing you have to do is accept that decay sets in and there's nothing you can do about it.
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For every person that doesn't like you, there's gonna be somebody who does.
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You can't tell a millionaire's son from a billionaire's.
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This basic thing I always do: 'What happened between the character's birth, and page one of the script?' Anything that's not in the story, I'll fill in the blanks.
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Women have to be active listeners and interrupters - but when you interrupt, you have to know what you are talking about.
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The very important thing you should have is patience.
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You can't get emotional about your work.
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A fascinating breed, Old Etonians. Impeccable in their social skills and very portable - you can put them anywhere, and they are absolutely charming.
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I know feeling pressure gets you nowhere creatively. You've just got to understand the character, understand the story, and just play it to the fullest extent.
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When you write as a woman, there's this feeling there's going to be a softness.
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You know, I haven't written as much as most other writers. Certainly maybe those who keep a more regular schedule accomplish more.
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The doctor who applied a stethoscope to my heart was not satisfied. I was told to get my papers with the clerk in the outer hall. I was medically rejected.
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People seldom improve when they have no other model but themselves to copy.
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As long as I know what key the solo is in, I try to kind of empty my mind and not think about anything. I just play without thinking.
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I'm interested in that whole question of where we wear our identity and how can we see it.
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Imagination is a very potent thing, and in the uneducated often usurps the place of genuine experience.
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With a mini series you can give the story a proper sense of pacing, a proper sense of closure.