Paul Di Filippo Quotes
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More than we sleep, play, or make love, we work. Yet despite - or perhaps because of - this dominant daily grind, much of our literature is biased toward other pursuits.
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Only a minority of science fiction dystopias attempt to plumb the real existential roots of oppression, the flaws in humanity's nature that undermine our best attempts at organizing ourselves into social units.
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Every new generation of SF writers remakes cyberpunk - a genre often laced with dystopian subtexts - in its own image.
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I think humanity is not wise enough to know what genotype or somatype is going to be the most successful or the most fit - simply because we're not fully in control of our environment.
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The constituents of tragedy may be universally acknowledged, easily invoked and deeply felt, but the elements of comedy are, I think, more widely variable from person to person.
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Blending consensus historical events and personages with imaginary occult forces is a strong recipe for counterfactual storytelling goodness that combines the best of two worlds: resonant history with wild-eyed fantasy.
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The entire Internet, as well as the types of devices represented by the desktop computer, the laptop computer, the iPhone, the iPod, and the iPad, are a continuing inescapable embarrassment to science fiction, and an object lesson in the fallibility of genre writers and their vaunted predictive abilities.
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Generational change within a genre is hard to parse while it's happening. Only in retrospect can the passing of the baton from ancestors to progeny be clearly discerned.
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You could engineer a human to survive the greenhouse effect because you think that's what's going to happen, and then all of a sudden the glaciers are creeping down on you.
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Critics, at least generally, want to regard works of fiction as independent entities, whose virtues and failures must be reckoned apart from the circumstances of their creation, and even apart from the intentions of their creator.