Paul G. Tremblay Quotes
Quotes to Explore
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I feel like I want to and have to do everything once.
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The main objective of our cinema is to entertain. If you can pass on a message at the same time, that is fantastic, but if the audience does not feel they are going to be entertained by the film, they are not going to watch it. There are many examples of very responsible and great films that are being made, but nobody goes to watch them.
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Far worst of all, the fever had settled in Mary's eyes, and Mary was blind.
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When I was starting out and had to cut my teeth and build my resume to get in, I had to basically work for free on a lot of things.
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I want to do roles that take women a step farther. I don't want to be slotted into anything. But if I get a brilliant role which requires me to be a mother, then I will do it. But I want people to see that a woman could be anything at whatever age, even if she is married or has two kids.
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For a man of my generation, our century has been a long intellectual and political struggle in favor of freedom.
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I'm like John Q. Public. I represent what every guy wants and needs.
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I don't set out to win awards. I don't think any musician does, but when you receive an award, it's an affirmation: it means that people appreciate what you do. Every award I have received is a confirmation of something I have done, and that motivates me to push a little harder.
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I know what I look like - a weird, sad clown puppet. I'm fine with that.
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The love story for me was the nature of the love and not the age of the lovers.
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Celine Dion is my major inspiration.
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Usually, historical revelations come from days of legwork, ploughing through piles of letters and papers in archives or even private homes, looking for the telling phrase or letter that someone else has missed.
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I'm afraid that I'm either going to have to write myself something or direct something if I'm going to get somewhere.
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In the absence of justice, what is sovereignty but organized robbery?
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I decided to build a studio in my house. We built it in my basement kitchen. I had the drummer up by the fish tank. I was in the toilet singing. The bass player was out by the shelves in the living room, and the guitarist was on the couch by the telly.
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If I take a less defensive tone, I'd admit that I couldn't write today a very jazzy, contemporary look at America as I did in 1979 in States of Desire.
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I make the music my ears want to hear, I wear the clothes my body wants to wear and the ones boys call me back for, and I generally make the songs that my feet dance to.
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The U.S. and European markets have become mature, profit margins are lower, and equipment isn't so new. Because profits are relatively low, it limits the willingness of companies to invest in newer equipment.
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That's fine. Now should I give you the money or should I shove the quarters directly up your fat ass? Whee-hee!
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I gave up Christianity at about 14. Came back to it when getting on for 30. Not an emotional conversion; almost purely philosophical. I didn't want to. I'm not in the least a religious type. I want to be let alone, to feel I'm my own master; but since the facts seemed to be just the opposite, I had to give in.
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I'm a live performer and I love playing live.
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I think we so often equate leadership with being experts - the leader is supposed to come in and fix things. But in this interconnected world we live in now, it's almost impossible for just one person to do that.
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Actors are not always the best judges. We have a peculiar idea of what we think we are, and sometimes it's best left to others to decide what we play.
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Horror is often about how we live in the liminal, whether we want to or not.
