Paul Gauguin Quotes
Art requires philosophy, just as philosophy requires art. Otherwise, what would become of beauty?
Quotes to Explore
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I'm always trying to find 'connections' between things. That art is the juxtaposition of a lot of things that seem unrelated but add up to something recognizable.
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Besides black art, there is only automation and mechanization.
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Cartooning at its best is a fine art. I'm a cartoonist who works in the medium of animation, which also allows me to paint my cartoons.
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The proverbial philosophy of a people helps us to understand more about them than any other kind of literature.
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Philosophy is written in this grand book, the universe, which stands continually open to our gaze. But the book cannot be understood unless one first learns to comprehend the language and read the letters in which it is composed.
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We want a vernacular in art. No mere verbal or formal agreement, or dead level of uniformity but that comprehensive and harmonizing unity with individual variety which can be developed among people politically and socially free.
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Cooking is an art, but all art requires knowing something about the techniques and materials. Using modernist techniques, you get more control, and that allows you to be more artistic, not less!
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What we have to do, what at any rate it is our duty to do, is to revive the old art of Lying.
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All art is propaganda, and ever must be, despite the wailing of the purists. I stand in utter shamelessness and say that whatever art I have for writing has been used always for propaganda for gaining the right of black folk to love and enjoy. I do not care a damn for any art that is not used for propaganda.
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So 'The Last Airbender' 's philosophy and culture feels like a beautiful idea to me: That we inherently have connections to the elements and what they teach us, and to each other.
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My father's violence is the central fact of my art and my life.
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Translation is the art of failure.
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The people who make art their business are mostly imposters.
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All art is autobiographical. The pearl is the oyster's autobiography.
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I think I went to Italy initially for the art, architecture, food and history, but I stayed there because of the people in Cortona.
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Formally, I did my studies in the sciences, but I was very conscious that I was being deprived of culture. While studying neuroscience, I was running a rock-music festival and was able to use that as a platform to explore what it takes to produce art for 20,000 inebriated 20-somethings.
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It’s the art-magazine ‘Circle’ been reprinted and it’s now referred to as classic. Well it is. But w:Ben Nicholson, Sir Leslie Martin, Gabo and Leslie Martin’s wife, Sadie Speaight, and I did that. We were sitting round the fire and we said, ‘Why shouldn’t we do a book?’ And so we started and now it’s a classic and referred to as such.
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The critic does not pass judgment on the work; rather, art itself passes judgment, either by taking up the work in the medium of criticism or by rejecting it and thereby appraising it as beneath all criticism.
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I think I've come through the art-industrial complex - I've been educated in some of the best institutions and been privy to some of the insider conversations around theory and the evolution of art.
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I worked in Tesco's staff canteen because I fancied a boy on the tills. I served him his lunch in a hairnet and tan tights. Not just that, of course - I had a lovely white onesie.
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For almost a century, Jascha Heifetz was the performer all others wished to emulate, a genius whose technique and musicianship earned him accolades as 'the perfect violinist'.
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I once wrestled with an angel. He won, but I learned a few things.
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What he said was, they're finding so many new groups and sub-groups that in ten or twenty years you'll be able to identify a chap straight away just by his blood, like as if it was his fingerprints.
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Art requires philosophy, just as philosophy requires art. Otherwise, what would become of beauty?
