Tilda Swinton Quotes
We must hang on to the idea that we can actually change things. That's the sort of environment that Joe finds himself in, in Young Adam.
Quotes to Explore
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The quick success was a bit strange to get used to.
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Woodstock had a tremendous impact on American artistic life.
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People asked, 'So what are you - a multimillionaire?' I like to say, 'A billionaire wanna-be.'
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I met my agent when I was 10 years old on a family skiing vacation. He asked if I was interested in acting, and I had been doing school plays. A couple of years later, I called him up, and I started auditioning.
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I'm a paleoanthropologist, and my job is to define man's place in nature and explore what makes us human.
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I am an opponent of war and of war preparations and an opponent of universal military training and conscription; but entirely apart from that issue, I hold that segregation in any part of the body politic is an act of slavery and an act of war.
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Your connections to all the things around you literally define who you are.
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My job in this life is to give people spiritual ecstasy through music. In my concerts people cry, laugh, dance. If they climaxed spiritually, I did my job. I did it decently and honestly.
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I think it would be bizarre to pick somebody to speak at the convention based on their sexual preference, because once you go down that road, why don't you pick a transvestite?
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English people are famous for never speaking out but only saying what they really feel about you behind your back. Americans believe the shortest distance between two points is a straight line. I like exploring those, er, differences in national snippiness.
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I have learned to know God. I have recast my social belief... All my admirers are married; most of my friends are dead; and I stand with all the world before me, where to choose a path to make in it.
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A policy is a temporary creed liable to be changed, but while it holds good it has got to be pursued with apostolic zeal.
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I challenged things that needed to be challenged at Purdue.
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I find it really hard to relate to the Bond women or Angelina Jolie in 'Salt.' And of course it's informed by my experiences and the people I've met along the way and the places I've been.
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I'm more comfortable writing traditional protagonists. But 'Steve Jobs' and 'The Social Network' have antiheroes. I like to write antiheroes as if they're making their case to God about why they should be allowed into heaven. I have to find something in that character that is like me and write to that.
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That's double-edged: it's amazing that they're bringing me in and showing people new ideas, and at the same time it's a little hard because seventy percent of the time or even higher I'm not going to get those roles.
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I would define the poetic effect as the capacity that a text displays for continuing to generate different readings, without ever being completely consumed.
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As a child, my mother told me lots of fairy stories, many her own invention. She, too, tended to reverse the norm.
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With all due respect to the other writers, I don't want to disparage any other writers; I don't want to have to invent a bigger villain than Deathstroke so Deathstroke can seem heroic fighting this bigger villain. I'd rather just have Deathstroke be who is, and he's kind of a bastard.
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I don't want to be known for anything other than writing songs.
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I love what I do. I work a lot, I work all the time, but I love it.
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We must hang on to the idea that we can actually change things. That's the sort of environment that Joe finds himself in, in Young Adam.
